A Quote by Natalie Portman

It's always interesting to step into the enemy's shoes, and figure out what they're like. — © Natalie Portman
It's always interesting to step into the enemy's shoes, and figure out what they're like.
The way I've talked about my research process is that it was like magpies. I was just sort of moving through all these books and when something shiny would pop out I'd be like, Ooh, I love it! and I'd pluck it out. It's fun to figure out how to use those bits you really love - like I'd read about gold shoes with cork heels. Obviously, Margaret would have to wear those shoes.
For a white writer not to be able to step into the shoes of people of color confuses me. That should be the default - many people of color have to step into the shoes of white people. Women have to step into the shoes of men.
I like shoes. Always liked shoes. Wanted to be a shoe designer or somebody who made shoes, something in shoes.
Any character, for me, always comes together in the hair, makeup, and wardrobe. Shoes especially. For some reason, shoes really do it for me because they help me figure out how the character walks.
If Americans wish to preserve a country they will recognize, then the first step is to recognize the enemy. Public education is the enemy. The entertainment industry is the enemy. The corporate culture is the enemy. The advertising industry is the enemy. And most of the politicians in both parties are the enemy. An enemy is defined as anybody, or any organization, which is attacking the traditional beliefs of Americans.
Well, I'm obsessed with shoes - small shoes, weirdly shaped shoes, hotdogs in shoes, things sliding in and out of shoes.
I have to put myself back in the audience's shoes and figure out what they would know and not know. But, there are also times when I do know what's coming up and I maybe need to hint at it, though not in a big way. It's a little bit of both. It's an interesting tightrope to walk.
My teacher says that everything that you want in the world is one step away, you just have to figure out which direction to step in.
I like to think I'm not so devious and maniacal. So it's fun to step into that world and put those shoes on and play that character out.
There will always be times where you think, 'What went wrong? Why wasn't that one more popular?' You can't always figure that out, especially if you think you've done the best job you can do and was interesting to you. I mean, 'My Soul to Take,' I thought should have done much better, and I still like that film a lot.
Don't always blindly follow guidance and step-by-step instructions; you might run into something interesting.
I actually prefer Twitter as a medium, and I also got into Periscope for a second, but I'm still trying to figure out what to do with it. I can't figure out if the only important thing about it is the live broadcast, or if it's an interesting kind of way to log what you do.
I always think that it's important to step back and look at the facts, figure out what is big, what is small, and always target the solution and the policy issue correctly. Don't try to solve the wrong problem with unemployment insurance.
I've always wanted to figure out how to do a walking story. I'd never figured out how to do one and have it work or be interesting or have anything that it's about.
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
When a campaign doesn't go my way, I always take a step back, look at the facts, and try to figure out what we could learn from that experience.
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