A Quote by Natalie Wood
I thought it was a wonderful line - right on the cutting room floor.
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A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.
The best-laid plans of mice and comedians usually wind up on the cutting-room floor.
When I do documentaries, my best information ends up on the cutting-room floor. People have trouble dealing with sexual honesty.
Oh, I'm always laughing with the children in 'Supernanny,' but you don't see it because Ricochet decide what to leave on the cutting-room floor and what to keep in.
I think that, you know, women succeed in the cutting room or they're allowed into the cutting room because it's not a very on-display job. I mean, we're behind the scenes. We kind of whisper in your ear.
I'd like to do radio just like pictures - leave the imperfect stuff on the cutting-room floor.
My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
I often can't remember which scenes are and aren't in the final product, because I saw so many different versions of the Lemony Snicket that I forget which ended up on the cutting-room floor.
Next time your lady leaves the room, take a dump on the floor! 'Cuz there is nothing more mysterious than a dump on the floor! And it always starts a conversation, am I right? Honey, what happened? You better hold me 'cause I'm afraid.
My personal opinion is that, if you're a professional writer, that you do have quotas. So every day I do try to write 800-1,200 words. I don't always achieve it, and the reality is that a lot of the words I write will end up on the cutting-room floor.
It's as if my left heel is my bass drum and my right heel is the floor tom-tom. I can get snare out of my right toe by not putting it down on the floor hard, and, if I want cymbals, I land flat on both feet, full strength on the floor.
I’m not being cynical, but when you’re doing a movie you have a number of choices as an actor. Then you see it all cut together and all of those precious little pieces you put in are maybe on the cutting room floor. So, you don’t have that much control. You have very little control, in fact.
Do you all have a living room floor or a bedroom floor? Then you can write a book.
I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.
Just look at the world around you, right here on the ocean floor. Such wonderful things surround you. What else are you looking for? Its all under the sea
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