A Quote by Natasha Bedingfield

Staring at the blank page before you, Open up the dirty window, Let the sun illuminate the words that you could not find. — © Natasha Bedingfield
Staring at the blank page before you, Open up the dirty window, Let the sun illuminate the words that you could not find.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
Actually, who hasn't been through the ghastly experience of sitting in front of a blank page, with its toothless mouth grinning at you: Go ahead, let's see you lay a finger on me? A blank page is actually a whitewashed wall with no door and no window. Beginning to tell a story is like making a pass at a total stranger in a restaurant.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
I like to put my iPad on the window and leave it there for however long the journey is, so that I'm staring out, and it's staring out. We're kind of staring out together. It's very poetic to me, watching that absent-minded passing of time. You realize how much you've taken in. What is left of that memory of you staring out of the window for an hour? It's all on the iPad.
For me, the blank page to draw on is a window to adventure.
At some point if you're a professional writer, no matter what, it always comes down to you staring at the blank page by yourself.
As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.
I don't find myself interesting as a person and the details I find boring, quite frankly. You could sum it up in a few words or sentences really: came from nothing. Self-educated. Luck. Energy. Curiosity. Ambition. That's it. Nothing at all can illuminate the work as far as I can tell.
For me, writing never gets easier. It's always hard work. It doesn't matter how many words you wrote the day before, or how many novels you've completed in the last decade: every day you start fresh again with that same blank page, or that same blank screen.
The writer presents himself to the blank page not with an open passport but an open heart.
Just dash something down if you see a blank canvas staring at you with a certain imbecility. You do not know how paralyzing it is, that staring of a blank canvas which says to the painter: you don't know anything.
I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence.
Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.
The roughest part for me when I'm writing a song is staring at a blank page. Where am I going from here? If you're a songwriter, you have to do that every time you start a song.
Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.
My favorite pastime is staring out the window. When I go on tour, I can spend hours and hours just staring out the window, thinking about nothing. I love all that.
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