A Quote by Natasha Bedingfield
People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.
Related Quotes
You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.
I don't really listen to pop-country, but I like really, really old country that's closer to folk. Like Johnny Cash, who is considered country.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
What we look for when we need to find someone who can fit in with our music, the vocals and the harmonies and the way they blend are very important to us because if you listen to Beach Boys music, the harmonies, not only are the notes being sung, but there's a blend to it. The voices have to blend.
I grew up only singing country. I did listen to like Debbie Gibson and other pop music, but I would only sing country music.
I got to where I couldn't listen to country radio. Country music is supposed to have steel and fiddle. When I hear country music, it should be country.
I always listen to all kinds of different music from different years. I listen to the contemporary, but once in a while into eighties, you know just for fun, and sometimes classical too. So I have this big mix on my i-pod... Amy Winehouse, Gwen Stefani, OutKast, Jay-Z. I listen to trance, pop, everything. It really depends on my mood.
He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.
I had always dreamed of starting off in pop radio and crossing into country. I used to sing country; that was my genre when I was a kid.
We were so influenced not only by country music but by the rock bands of the '80s. Our focus was to bring in something different. Country music already had a George Strait and Alabama. We wanted to put some pop music in our show.
You can't just sing the song and live another life, you know. It's really difficult now because that's not what it's about. It's pop and pop just says that we could be actors. We could sing about stuff and not believe in it. It could be absolutely fraudulent and it doesn't really matter.
My local radio station, WHOC, Philadelphia, Mississippi - '1490 on your radio dial, a thousand watts of pure pleasure' - it was a beautiful station. And I loved everything I heard. But it was country music that touched my heart.
I don't really have anything nice to say about pop-country radio.
I never started out as an R&B singer. I grew up on all types of music - jazz, rock, pop, country, folk - and I wanted to bring that to my stage.
I listen to everything. I sing country music, but I listen to different stuff.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
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