A Quote by Natasha Henstridge
I believe that every role that I have done this far has had quality and content. My roles have been very demanding and every role has been a challenge and a learning experience that has helped me mature as an actress.
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I take every role seriously. Personally, I never look at any role as Michael White. I've done that my entire life. I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
I've been doing a lot of work with my brilliant trainer Pat Manocchia, who has a gym called La Palestra. He's trained me for every big show I've done, every demanding 8-show week role that requires stamina, like 'Sunset Boulevard' and 'Gypsy.'
I think every role you do prepares you for the next one. Of course, 'Nashville' has been, and will continue to be, a huge learning experience for me as an actor. It's something that I grew a lot doing.
It's been interesting that a diversity of roles have come my way, and that I've had the opportunity to do them. To me, it's about going for a good role that has something to say, and that's a challenge. I've been lucky enough to play everything from a homeless guy to this crazy male nurse.
I would just say there are no two roles that are more demanding than Bob Dylan of 1966 [Blanchett's role in 'I'm Not There'] and Carol Aird of 1952. I challenge any director out there to come up with a wider divide. I had to convince her to take the Dylan role, and that took effort. But with 'Carol,' she was already attached.
The role of Ronald Reagan had been deliberately diminished; the role of the Europeans, who, with the exception of Helmet Kohl, were often keen to undermine America when it mattered, had been sanitized; and the role of Mr. Gorbachev, who had failed spectacularly in his declared objective of saving communism and the Soviet Union, had been absurdly misunderstood.
When children ask me what's my favorite [role], I say to them, "Imagine having ten beautiful new puppies in a basket and you had to say which one is your favorite, and you simply couldn't because you love them all for different reasons." POPPINS was such a learning experience, as was THE SOUND OF MUSIC. I tell you, every one of them just helped me grow in what I do and did and each one was such a phenomenal working experience.
It has to be a very specific role for me because of my accent. I can't complain; I've been working since I got to LA. But it is hard. I have no training as an actress so I try whatever I do like school, because I'm learning.
I've been blessed because every single role I've done has been an educated person. I've never done the stereotypical Latina, even though I have an accent - I've always been able to play educated people. That's a good thing!
The cop in 'Dhruva' had to be much more agile, far more fit and alert than any role I had played so far. I built the body that the role required. If it's been appreciated, I am glad.
You know, right now, they say - I don't know who says this, but somebody told me - there's three male roles to every female role. And I guess I'd work on evening that up. Making great roles for women. It's just such a huge challenge.
You know, right now, they say - I don't know who says this, but somebody told me - there's three male roles to every female role. And I guess I'd work on evening that up. Making great roles for women. It's just such a huge challenge
My very first role was the character of Barbara Winslow in the movie 'Marmaduke.' Up until that point, I had only done commercials. I had never done a guest star role or a series, and yet they cast me!
I was a glamorous actress in Mumbai. I had done Sanjay Gupta's 'Musafir.' I wanted to know how Buddhada thought of me in the role of Supriya, Rahul Bose's unhappy wife in 'Kaalpurush.' It needs a visionary film-maker to see an actor in a role that seems very removed from her real personality or on-screen image.
I've been interested in art and fashion for as long as I can remember because they are so visual. I am fascinated by the idea of visual creation from the ground up, which is a challenge in ballet when the audience has seen every show of yours, every other principal that you've shared a role with, and every different production.
Each and every role I have done has been a conscious decision.
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