A Quote by Natasha Leggero
For comedians, we're all kind of tweeting our thoughts instead of spending time developing them. You can gauge how good a joke might be by how many times it gets retweeted, but it takes discipline to go back through the tweets and then develop jokes from them.
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Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
Young children need to develop good habits that will be useful to them the rest of their lives. It is important to keep the lessons age-appropriate. For example, when your children start earning allowances, that would be a good time to teach them how to put some money in the bank instead of spending it all.
Thus, if the clarity of our thoughts comes through better in a play of words, then the wordplay is good. One must know how to enter the ideas of others and how to leave them.
It feels intimate and life affirming to me when someone tweets things that appear to just be insane thoughts they had and typed out then tweeted immediately, with little or no regard for how others might perceive them, simply because they were in a state of emotional desperation and felt like they didn't want to express those thoughts to anyone else.
So many people are going to always remember what you do and how you make them feel instead of you telling them this and telling them that. That's why I like to go out and show the work ethic and how I am as a teammate. That's how you become great.
I'd buy joke books and try doing them at school; I always had jokes. That would be my go-to thing at parties: I'd be able to get through them if I just told enough jokes. Otherwise, I wouldn't end up talking to anybody.
Our thoughts about an event can have a dramatic effect on how we go through the event itself. When our expectations are low, it's easy to be pleasantly surprised. When they're not, we're vulnerable to painful disappointment. Because of this, many people spend a good deal of effort trying to avoid developing high hopes about anything.
When I look at my audience, I can tell better who's in the crowd and the kind of joke I shouldn't do. It's just complicated. I guess I sift through to make sure these jokes are a little different with not such a harsh edge to them. That's pretty much how I handle the crowd.
It was the easiest thing in the world for Arya to step up behind him and stab him. “Is there gold hidden in the village?” she shouted as she drove the blade up through his back. “Is there silver? Gems?” She stabbed twice more. “Is there food? Where is Lord Beric?” She was on top of him by then, still stabbing. “Where did he go? How many men were with him? How many knights? How many bowmen? How many, how many, how many, how many, how many, how many? is there gold in the village?
There's a common problem: if a kid is not good at exams, they often think they are not skilled. Yet many of them do have the skills employers are looking for - but often we don't show them that, or teach them how to develop them, or celebrate them.
I didn't like hovering above myself and looking back, or going through a door and thinking, How many times did I just go through that door? How do I get back? You know, that's not for me.
When you go into the whole realm of creating your own music and seeing the project through, it's increasingly difficult because nowadays a lot of people are making music all on their own - the individual instead of the band. And when you have such a solid vision and you spend so much time working on one idea and allowing it to manifest in your mind through a record, and then you have to go and find people to help you see it through live, it gets really overwhelming, to have to project and really clearly state what you're trying to do and how you want them to do it.
Nobody calls me a racist when I do redneck jokes. Jeff Foxworthy can do as many 'You might be a redneck jokes' as he wants, but I'm telling you as soon as a guy like that does a black joke or something - 'How dare you!' I totally think it's unfair.
If you have the personalities down, you understand them and identify with them; you can stick them in any situation and have a pretty good idea of how they're going to respond. Then it's just a matter of sanding and polishing up the jokes. But if you've got more ambiguous characters or stock stereotypes, the plastic comes through and they don't work as well. These two characters clicked for me almost immediately and I feel very comfortable working with them.
If we grow old wisely, we lay aside the senseless forms and meaningless conventions of society and go back to a more primitive mode of social intercourse, picking our friends the way children do, - because we like them, - spending time enough with them to get some real good out of them.
Targeting women is key in developing countries. It allows them to go to school, to say how many children they're going to have, which drives the issue of population and how their children will be educated. Women are the best investments in developing countries.
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