A Quote by Natasha Little
Acting was a slow-burn thing. I found it was something I really, really liked doing, but it wasn't until my third year at drama school that I actually thought, 'Oh, right, I'm trained for this now; I'd better see if I can do it.'
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When I was little, I was actually really shy. I really enjoyed doing school plays, but I found the whole thing terrifying. I cried myself to sleep once because I thought my teacher was going to give me the lead role. I never imagined acting was a viable career.
I was quite frustrated by school and found solace in going to the drama studio, doing stupid voices, and being an idiot. I then went to Guildhall School of Music and Drama and signed with a great agent in my third year.
I wasn't good at anything at school, and acting was the only thing that I really loved doing and was interested in. It was kind of like my only option. For me to get opportunities in acting is so fortunate. I found something I loved doing and wasn't terrible at; it was quite nice.
You have no idea, especially in green screen, what movie you're doing. You really don't. And then, you see the movie and you're like, "Oh, my god, I'm on a cliff right now! I'm having sex right now! I thought I was dancing."
I'm really lucky, I have my performing career so I can continue to do personal appearances. Most actors have to do a film. But I thought I would wait until I found something I really liked.A lot of my friends feel that I'm wrong to wait. They say I should have done My Bodyguard, but I don't think so. I think I've been right.
We had an ancient Russian acting coach at my drama school who said the worst offense you could commit was to let your subtext show. That is the point of acting, is to be saying one thing and not be allowed by society or your predicament to show what you're really feeling. In a way, I think that's why the therapy generation has killed script writing, because all you ever get is people going, "Hi, I'm feeling really angry right now."
I had two starts, really. The first was going to the Italia Conti stage school, aged 15. I'd gone to sing, but one day I found myself doing an improvisation and thought, 'Oh God, I quite like this acting thing.' The second start was meeting Mike Leigh when I was 22. He showed me I could play people that weren't like me.
I remember kind of doing early acting and thinking, "God, they don't paint behind the sets." It's a bit of a shame, really - "Oh, what's on the other side of this wall? Oh, you can see the plywood." I was really disappointed. I just thought that these things were real, from watching things as a kid.
I remember kind of doing early acting and thinking, 'God, they don't paint behind the sets.' It's a bit of a shame, really - 'Oh, what's on the other side of this wall? Oh, you can see the plywood.' I was really disappointed. I just thought that these things were real, from watching things as a kid.
Well, I liked it - that was the main thing. I liked it, but I didn't think of it in terms of a career. I didn't really know; I didn't really think about it. One thing just led to another until finally I quit my job as a salesman and found myself working as a photographer.
I went to a school called Tring Park School for the Performing Arts. I went because initially I was very naughty, and my mom thought if I was busy, I'd be better. And I didn't really do acting until later on in the school, with an amazing teacher. I left, went traveling, came back.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
The gamers are smart. They see right through the moral scale. Actually, with Dragon Age, I really liked the system the team came up with. It reflects what was important about the game, and that was the character relationships. It didn't really matter what the world thought of you, but it mattered what the person standing next to you thought of you.
The weird thing about drama school is that you train for three years for one thing and then more often than not, it's something that you haven't trained for that you end up doing.
The weird thing about drama school is that you train for three years for one thing, and then, more often than not, it's something that you haven't trained for that you end up doing.
I liked making people laugh. I remember that specifically, being really young and having my parents being in the audience and laughing. It wasn't really a 'Oh, I'm the center of attention' feeling; it was more 'Oh, I'm making them so happy right now' feeling. I liked that.
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