A Quote by Natasha Lyonne
Over time, you realize that even the things that are most high stakes kind of resolve themselves.
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I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.
Penalty shoot-outs are the most high-pressure situation that a goalkeeper will face, and in a World Cup, it's even worse because the stakes are so high.
In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.
I resolve to live with all my might while I do live. I resolve never to lose one moment of time and to improve my use of time in the most profitable way I possibly can. I resolve never to do anything I wouldn't do, if it were the last hour of my life.
Especially on Broadway, composers and lyricists fretted over their creations, obsessed over every rhyme, every critical chord or interval. The stakes were so high. On Broadway, people were watching and judging, especially newspaper critics who knew a thousand ways to slice and dice a songwriter for the entertainment of hundreds of thousands of faithful readers. There was no anonymity for the Broadway songwriter. Even the best could find themselves stripped naked the morning after by the tastemakers and their readers.
The stakes are so high because auditions are make or break. You get the job or you don't. The stakes are about as high as they get, for yourself and your own self-esteem.
I love telling teen stories where the characters are experiencing things for the first time - the stakes feel really high.
I personally went canvassing door to door in a local race when I was in high school and thought it was kind of hilarious how worked up people got over such small stakes elections.
One lesson is that if you want to predict voter turnout, you should ask whether at least one candidate is attracting high levels of enthusiasm - not whether the stakes are high, or even perceived to be high. That fits the historical pattern.
High stakes, low stakes, poor or rich - people will find a way to gamble.
You start to realize connections between experiences and things that push your buttons, and things that have touched you in those vulnerable areas and what-have-you. And they form a little collection over time - at least I do - and as time progresses and new things are learned, you kind of sift through those things until they're air or danceable, you know? But they start as this thing that's either too hard or too soft to dance to.
In many ways, love seems to be totally divorced from economics. But then you realize - well, the stakes are high. This is something that matters to us. We're dealing with scarcity. I mean, if you're dating one person, at the very least, you don't have as much time to date another person. And you may well find that you can only date one person at a time.
I don't think anyone aims to be typical, really. Most people even vow to themselves some time in high school or college not to be typical. But still, they just kind of loop back to it somehow. Like the circular rails of a train at an amusement park, the scripts we know offer a brand of security, of predictability, of safety for us. But the problem is, they only take us where we've already been. They loop us back to places where everyone can easily go, not necessarily where we were made to go. Living a different kind of life takes some guts and grit and a new way of seeing things.
I think that I am interested in the resonance between character drama and high stakes, either situational or political or social or other kind of elevated drama, and I tend to find that those things combust.
Sledging makes things interesting. There are no robots playing. They are humans who want to perform well for the country. So when stakes are so high, emotions will take over. Sometimes sledging gets the best out of you.
In the high-stakes and elitist world of music collecting and fandom, we operate from an ab ovo perspective. The seed, the first incarnation - that is the most pure, the most lauded. Minutemen trumps Firehose, Throwing Muses beats Belly, Joy Division over New Order, Operation Ivy ruled Rancid, Undertones instead of That Petrol Emotion.
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