A Quote by Natasha Lyonne
There are beauty icons that I can never be like, sorta like a Gena Rowlands - I'll never have that look. I love Giulietta Masina, the great Fellini actress. But I'm probably more Seymour Cassel. Or somewhere between Lou Reed and Nora Ephron?
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There was a film that really affected me, 'La Strada' by Fellini, where Anthony Quinn and Giulietta Masina travel around on his little motorcycle thing.
You look at people like Gena Rowlands, but she had [John] Cassavetes to write these amazing roles for her.
'Pitchfork' said something like, 'Michael Imperioli wrote a book that sounds like Lou Reed fan fiction,' which maybe it is. It's fiction, and I'm a fan. But it's not about me, and it's not a Lou Reed book.
Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
Sweet Jane' is my favorite song by Lou Reed the writer, at least the Velvet Underground Lou Reed.
I'm a big fan of Lou Reed, and I do a lot of talking through songs. It's more effective with my vocal limitations and also more powerful to slightly sing sometimes. It depends on the emotion, but I'm never going to try to compete with great singers.
I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."
For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.
For me, my favourite actresses are like Charlotte Rampling or Gena Rowlands... people who have always stepped outside of the restraints of a certain type of woman or story. I always like those movies the best.
I was honestly a cartoon kid. I loved cartoons. That was more my dream than anything else. But now, it's the films of people like John Cassavetes and Gena Rowlands. Those are the kinds of characters I want to play, and that's the kind of filmmaking I'm fascinated by.
I never met Lou Reed, never was one of those journalists lucky enough to be the object of his derision, contempt, condescension, indifference, and occasional piercing honesty.
I love Lou Reed because his voice sounds like your inner conscience.
Gena Rowlands is my all-time love. Nicole Kidman, Michelle Pfeiffer. I grew up watching their work; they are extraordinary.
I am a huge fan of Gena Rowlands. I love that she is still working and always in something fresh and new.
The performances that I love are ones like Gena Rowlands in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just haven't always had the opportunity to do them.
But to see her was to love her, Love but her, and love forever. Had we never lou'd sae kindly, Had we never lou'd sae blindly, Never met - or never parted - We had ne'er been broken hearted
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