A Quote by Natasha Lyonne
From the first instant I met her, I wanted to be Nora Ephron. I just really wanted to please her.
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I wanted to fathom her secrets; I wanted her to come to me and say: "I love you," and if not that, if that was senseless insanity, then...well, what was there to care about? Did I know what I wanted? I was like one demented: all I wanted was to be near her, in the halo of her glory, in her radiance, always, for ever, all my life. I knew nothing more!
He’d spent his life being a perfect gentleman. He’d never been a flirt. He’d never been a rogue. He hated being the center of attention, but by God, he wanted to be the center of her attention. He wanted to do the wrong thing, the bad thing. He wanted to pull her into his arms and carry her to her bed. He wanted to peel every last inch of her clothing from her body, and then he wanted to worship her. He wanted to show her all the things he wasn’t sure he knew how to say.
No. No games. He wanted her and didn't care who knew it. He definitely and absolutely wanted her, longed for her, wanted to do more things than there were names for with her.
I was not ready for abstraction. I clung to earth and her dear shapes, her density, her herbage, her juice. I wanted her volume, and I wanted to hear her throb.
He wanted to hear her concerns and alleviate them, he wanted to hold her and kiss her and convince her that he would find a way to make their relationship work, no matter how hard that might be. He wanted to to make her hear his words: that he couldn't imagine a lofe without her,that his feelings for her were real. But most of all, he wanted to reassure himself that she felt the same way about him.
He wanted to wake up every morning to her. Go to sleep with his body wrapped tightly around hers. He wanted her to have his child—his children. He knew he wanted to live out the rest of his life with her by his side and when he died, he wanted to die in her arms.
I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.
Nora Ephron's 'When Harry Met Sally' is a classic.
I wanted to drown inside a woman in the feeling and drooling of the love I could give her. I wanted her pulse to crush me with its intensity. That's what I wanted. That's what I wanted myself to be.
He loved her for being so beautiful, and he hated her for it. He loved how she put shiny stuff on her lips for him, and he also reviled her for it. He wanted her to walk home alone, and he wanted to run after her and grab her up before she could take another step.
Normally, Edward would have found intrusive, clingy behavior of this sort very annoying, but there was something about Sarah Ruth. He wanted to take care of her. He wanted to protect her. He wanted to do more for her. (page 135)
Somehow I had come to believe that because a person is in need, they are candidates for sympathy, not just charity. It was not that I wanted to buy her groceries, the government was already doing that. I wanted to buy her dignity. And yet, by judging her, I was the one taking her dignity away.
I liked her…I really liked her. I wanted to protect her. I approached her in a gentle, playful manner, because she's so precious and I wanted to hold her in my arms because she's so carefree. She was my treasure.
Being with Mary was different because...he wasn't the only one who wanted to make love to her. The beast wanted her, too. The beast wanted out so it could take her.
I wanted to tell her that she was the first beautiful thing I had seen in three years. That the sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.
I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.
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