A Quote by Natasha Rothwell
Improv is such a huge part of my background, and a huge part of character discovery is really being inside the character and trying to think through them without the limitations of the script.
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I think everything's a part and parcel of being in this profession, rejection being a huge, huge part of it, and I can't tell you how grateful I am for all those rejections because one thing that I understand is that you have to be really, really strong headed, you have to be very level headed, If you want to be in this industry.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
The Vixen character is not quite me. A part of that is putting up this huge front of being strong, impenetrable, really tough and a little bit condescending.
Definitely the script because you want to be part of an interesting story, you want your character to be a challenge, then comes the director. But essentially it's the script first and whether it's a character that you think you can do.
I listen to music because that's such a huge part of my process; not to sound super pretentious, but that's a big part of what helps me get in character.
I'll look through a script, and if there's a lot of night shooting I tend not to want to do it. If there's huge party scenes and I'll go through a few pages and say "Well, at least I'm not in this," then the last page my character walks in and says something, I say, "Uh oh, that's going to be three days on the set sitting around drinking coffee at the craft-service table." Unless it's a great part. All in all if it's a great part you'll do it and I'll say, "Well, I'm gonna be on the set for three days."
I'm a husband and a dad. Two thirds of my day is spent being that character. It's a huge part of my identity and why I pursue things I do.
I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge part.
A huge part of my identity is being a woman, and that's really important for me, and that's a big part of my self-expression, so I think it's really interesting sort of exploring what it means if someone doesn't have that.
'Huge' is a show about self-discovery and follows kids at a weight loss camp. My character is shy, so when she meets Nikki Blonsky's character Willamena Rader, who's not, they become friends.
For me the costume is always a huge part of getting into character.
Generally, if a good script comes in I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character, it doesn't have to be a huge part. It could be a nice cameo - anything that I think is good and surrounded by good, enthusiastic people.
You read a script, you try and think through what is the best, most wide-ranging way of telling the story: who stylistically, character-logically, psychologically fits inside the world of what you're trying to do. A lot of it, when you're casting, is trying to get yourself in the head of a director.
I think my fans inspire me a lot. They're a huge part of my career. I wouldn't be where I am without them, so I try to feed off what they're going through. I read their tweets and Instagrams.
If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.
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