A Quote by Natasha Rothwell

I think once I began to trust myself as a writer, I began to be seen as a writer. — © Natasha Rothwell
I think once I began to trust myself as a writer, I began to be seen as a writer.
I majored in journalism at Arizona State University, where I began writing the columns I write now, but I cannot, in good conscience, refer to myself as a writer. I'm a columnist, maybe a journalist, I guess I'm an author, but writer... no. That's not up to me to call myself, that's rather lofty. It's for the reader to decide.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
When I began writing, the words that inspired me were these: A writer is someone who has written today. If you want to be a writer, whats stopping you?
When I first began to write fiction, I didn't think I was a comic writer; I thought I was a serious writer. I was surprised when the first novel I wrote was regarded as a funny novel.
I don't think of myself as a metafictional writer at all. I think of myself as a classic writer, a realist writer, who tends to have flights of fancy at times, but nevertheless, my feet are mostly on the ground.
I wanted to be a writer all my life. Since I was 10. And then at a certain point I began to assume I was one, which is rich, I know. I didn't meet a writer until I was nearly an adult, so I had no idea what I'd bet the farm on.
I grew up. I began to think the United States had some problems that really required the help of artistic people to solve. And I gave myself permission to be a writer instead of a civil servant.
I began running on an everyday basis after I became a writer. As being a writer requires sitting at a desk for hours a day, without getting some exercise you'd quickly get out of shape and gain weight, I figured.
Isolated in the oncology ward, I began to think about my dream to become a writer.
I don't think I began to be a professional writer until I learned my weaknesses and what I couldn't do. This forced me to compensate.
Once I began college, I was committed to writing, which I think is different from saying I wanted to become a writer. I knew I would always write; I just wasn't always sure how I would go about doing so.
I began writing for theater, and maybe because of that I've always thought of myself as a theater writer who does work in film sometimes.
I began writing as an experimental writer.
I don't think of myself as a producer. In television, it's part of the business - if you progress and become successful as a writer, you're called a writer-producer. What that means is that you have a lot of say in casting and behind-the-scenes stuff. But I'm just a writer.
When I began to listen to poetry, it's when I began to listen to the stones, and I began to listen to what the clouds had to say, and I began to listen to others. And I think, most importantly for all of us, then you begin to learn to listen to the soul, the soul of yourself in here, which is also the soul of everyone else.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
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