A Quote by Natasha Trethewey
I think often people don't realize the great diversity of Southern writing because in their minds, if you're not from the South, it can seem regional and small, and of course that's not the case at all when you start to read the work.
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Southern writing is regional: it includes dialect, settings, and cultural traditions from that region. However the themes and story conflicts are universal. My challenge is to write regional fiction without falling into the trap of nostalgia. There are important issues facing the south that I believe should be raised in the stories to make them contemporary, believable, and relevant to today's readers.
When we look at a good deal of serious modern fiction, and particularly Southern fiction, we find this quality about it that is generally described, in a pejorative sense, as grotesque. Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader, unless it is grotesque, in which case it is going to be called realistic.... Whenever I'm asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one.
Great art is a regional thing. I'm not saying my art is great. I recognize what I think is great about music is often on a regional level.
I think most people read and re-read the things that they have liked. That's certainly true in my case. I re-read Pound a great deal, I re-read Williams, I re-read Thomas, I re-read the people whom I cam to love when I was at what you might call a formative stage.
I don't think of writing my poems for China or for the world. I mainly think of a small audience of friends and people I know. I am writing for that small group. They are not necessarily going to be able to read it, but that's what I have in mind when I write.
Coming from the South and growing up in L.A. where it was so segregated - worse than the South in many ways - all the people in my neighborhood were from the South. So you had that Southern cultured environment. The church was very important. And there were these folk ways that were there. I was always fascinated by these Southern stories, people would share these mystified experiences of the South. I wanted to talk about folklore.
It has been said that a man of genius should select his ancestors with great care - and yet there does not seem to be as much in heredity as most people think. The children of the great are often small.
Once people start to realize the consistency of quality that is coming, they'll start to open up their minds a little more and say, "Wow, this is great. I'm going to tune into this." It's not just for the geeks and the people that are into it. It's actually really fascinating. That's my take on it.
William Ferris has long reigned as the unimpeachable source of the entire southern experience. His work on southern folklore and the composition of the Encyclopedia of Southern Culture have made him both legendary and necessary. His book, The Storied South , is a love song to the South Bill helped illuminate. It's a crowning achievement of his own storied career.
It has been said that Canada is bounded 'on the north by gold, on the west by the East, on the east by history - and on the south by friends'.* We hope that will always be the case and we hope it will be the case not only with respect to the United States, your immediate neighbor to the south, but with respect to all your southern neighbors - and ours - who are bound by the great forces of geography and history which are distinctive to the New World.
A great many people seem to think writing poetry is worthwhile, even though it pays next to nothing and is not as widely read as it should be.
Then you realize that the preparation and the planning of this small army of people trying to head to the single aim of creating a work that's going to excite people is very risky. Of course, the odds are that it's not going to work out because there are too many possibilities of it going wrong.
Great minds discuss ideas. Average minds discuss events. Small minds discuss other people. Life's too short to worry about what other people do or don't do. Tend your own backyard, not theirs, because yours is the one you have to live in.
It's one thing to be writing in South or Latin America, where, except for Brazil, every country, however small and hard to find on a map, speaks Spanish, but quite another to be writing in, say, Hungary, a landlocked nation of 10 million people, with a language that very few people outside Hungary can read or speak.
Some people think that Southern hip-hop doesn't have any depth. They think it's just noise, all about people having a good time in the club. And some of it doesn't have a lot of depth, it's true, but some does. I wanted to work against that stereotype. These are verses by Southern artists who are really wrestling with what it means to be here, young black men who are trying to figure out how to live in the South. So I wanted the epigraphs in my novels to reflect that.
We often think that tragedies happen because of great earthquakes in people's lives. I think they sometimes occur because of small things that become obsessive to a particular person.
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