A Quote by Natasia Demetriou

Like in 'Eastenders' they can write coronavirus into the scripts, so people can actually be socially distancing. But if you're in a sketch show where you're on top of each other, doing stupid things, you can't really make it work.
Really, the idea of creating consistent quality of a show is complicated. It's not like making refrigerators. There's something very specific to each one of the shows, each episode of each show and that involves a really great team doing great work.
For years I've wanted to work with this guy, so to actually write at the top of my scripts "Empress, Script by Mark Millar, Art by Stuart Immonen" is an absolute pleasure.
I didn't want to write sketch comedy after 'Mr. Show.' I felt like, after 'Mr. Show', why would you want to go work at any of the other places that existed then?
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
People, like large groups of people are stupid. Individuals are smart and can deal with things and can make things last and work, but when people get together in big crowds they're stupid. They turn into sheep, then you have major situations.
Radio is more powerful the closer we mimic the way we actually speak to each other. That's why Howard Stern is such a great radio talent. People on his show are actually speaking to each other. You might not like what they're saying, but they're real conversations.
I wrote lots of scripts that never got made and they were terrible. I thought they were good at the time. You can't write two scripts and expect your career to take off. Keep writing. Be you. Be original. A lot of people go for a genre, which is fine if you can do that really well, but we all have such layered histories. We all come from a unique background. Write about your past, write about you. Or make stuff up, but make it about something that really matters.
I feel like... I don't have a wife, I don't have a kids, but... I see rappers and I'm like, I know that's fake. I know how much you make, this is all bullshit. But people are buying into it, and you shouldn't have that power. I'm legit trying to make honest moves so that all of us can grow. I want to make a show where my sister can work on and become a producer because she can't get in, no one's leting her. I want to make things where people can actually grow. A place where people can actually be honest.
Nobody gets to live life backward. Look ahead; that is where your future lies. Opportunities are usually disguised as hard work, so most people don't recognize them. People who care about each other enjoy doing things for one another. There are really only three types of people: those who make things happen, those who watch things happen, and those who say, What happened?
When people see some things as beautiful, other things become ugly. When people see some things as good, other things become bad. Being and non-being create each other. Difficult and easy support each other. Long and short define each other. High and low depend on each other. Before and after follow each other. Therefore the Master acts without doing anything and teaches without saying anything. Things arise and she lets them come; things disappear and she lets them go. She has but doesn't possess, acts but doesn't expect. When her work is done, she forgets it. That is why it lasts forever.
I realized doing this work, identifying either issues or challenges or thinking about opportunities to actually impact people's lives, I could actually make things better, and bringing people around the table for solutions was something I liked doing and was actually something I was able to do fairly well.
I have friends who will say, "Oh you gotta come and see our show." And the first thing I say is, "Is it sketch or improv?" I'll go in a minute to see a sketch show. I love sketch; it's my favorite form. But if it's all improv, they're either very good and it's annoying how good they are and it makes you feel bad, or they're not too good then you're sweating for them. And you don't want to sweat for them, see actors repeating each other's lines.
If you wanna be an artist carry sketch pad with you, and sketch everything you see. Get so you can draw anything and it looks like what it's supposed to be. It's a lot of work, but if you really have it in you, it's not like work. It becomes fun.
I get a lot of 'Oh, you've been gone.' I wasn't gone. Just because you didn't see me doesn't mean I wasn't working and collecting checks. I just wasn't singing and doing videos. I do a lot of other things, like I said, like writing scripts and stuff like that. I write for other artists.
I'm always trying to find that role that will allow me to stretch and play a lot of different sides, but it's hard. To be frank, as an actor, I read maybe a hundred scripts a year and I really strongly respond to probably two, but every other actor in town responds to those two scripts, as well. It's hard to land those roles that are really good because they're coveted. That's why I try to create for myself, and that's why I've been doing things outside of acting, like writing and producing. I try to not have to depend on other people so much.
While princes do rule the empire, they have to work within certain boundaries, and they're also always in a contest with each other to become the next emperor. And this contest includes actually killing each other, doing anything they can get away with to each other.
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