A Quote by Natasia Demetriou

I've always wanted to try presenting and see what it was like, and you know, it could be a huge mistake. — © Natasia Demetriou
I've always wanted to try presenting and see what it was like, and you know, it could be a huge mistake.
That would be a huge honor, if I ever were to become the No. 1 American. It's something that I've always wanted to, you know, achieve that. For me, if were to happen, it'd be great. I'd try to hold onto that spot as long as possible, but I know there'd be a lot of people nipping at my heels to try to get to that No. 1 spot.
I've never worked with huge pop acts, I mightn't like it, but it's something I've always wanted to try.
The period in the name - huge mistake, I know. We didn't think about that. We never thought we were going to be written up in magazines. The second we saw it in print, like, what a mistake, man.
Chloe? It's me." After a pause, he added, "Derek," like I could mistake that deep rumble for anyone else, like I could mistake that little part of me that perked up like an eager puppy saying, "It's him. Quick! Go see what he wants." God, how had I been so blind? It seemed so obvious now.
This is the biggest mistake I could think would save me. I wanted to give up the idea that I had any control. Shake things up. To be saved by chaos. To see if I could cope, I wanted to force myself to grow again. To explode my comfort zone.
I always have a feeling you should move the playing field and the minute you know what you're doing, you're wrong. Therefore, I wanted us not to try to follow Spamalot immediately, but to do something different. This is perfect because it uses all the same skills, like story telling and lyric writing and music writing, but it's presenting it in a different form. And of course it gives me and John a nice chance to perform and show off which is also fun.
I try to think of the songs as little movies. They're always pretty visual to me. I can always sort of see them. I don't always know what the end result is going to be, and I don't know exactly what it's going to sound like, but I can kinda see them.
The thing is, I've always wanted to be a star. I've always wanted to be an Elvis Presley or a Tupac - like, a huge icon.
When I look back I either feel I did this mistake while shooting or writing. Eventually you try and make sure you do not repeat the same mistake with your next film. I always feel I could have made the film better.
America was always a huge goal, if not the goal. I always wanted to move to America. I always wanted to come here and see what opportunities were around. I really only got a couple of auditions a year when I was in Australia, for acting work.
After a great save or a mistake by a defender, I prefer not to shout on him; I prefer to wait and say it inside of the dressing room. I was always like that. I am relaxed, I try to be normal after a mistake, and when I make a mistake, I don't want people coming to me on the pitch shouting at me.
When you see a mistake in somebody else, try to find if you are making the same mistake.
We always thought we wanted to do a show that you could both laugh and cry in thirty minutes, and I don't know that there are that many comedies that try for that.
We could've done this anywhere, but I wanted you to see me, to see this," he said, gesturing at the room. "I wanted you to know where I come from, what I am under the choices I make.
Mazhar never wanted me to grow as an individual or as an artist. He always wanted me to be with the kids and be at home. During the very first year of marriage I realised I had made a huge mistake, but I decided to live by it and make it work. I tried to make it work for another 12 years.
Some guys are just very, very interested in their sport and their predecessors. I know I was a guy like that when I was a young coach. I wanted to know about George Halas, I wanted to know about Jim Lee Howell, guys you don't even know. I wanted to know what they were like. So I read whatever I could get my hands on.
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