A Quote by Nate Berkus

I always want objects in my home that have a connection to me or something I've loved. It's still stuff, but it's stuff that has meaning. — © Nate Berkus
I always want objects in my home that have a connection to me or something I've loved. It's still stuff, but it's stuff that has meaning.
Sometimes 'Portlandia' can be pretty traditional. But the stuff I've always loved on 'SNL' has always been the weirdest stuff I've done. The stuff that went on at 10 to 1 in the morning.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
The Green Arrow stuff that I've responded to from the past is the Mike Grell stuff. I've liked a lot of other stuff, but I think for me, the direction and the mood and the tone that I really want is something much darker and more aggressive and really fast-paced action.
I'm always afraid, because I do most of my stuff at home, where nobody bothers me, and I don't have to stroke somebody's ego or be careful about hurting someone's feelings. But I also want to know that I can still go into the world and be with other people and make music.
Ever since I was a kid, I've been into clothes, but not really labels- that's kind of only been in the last year or so. It's something I've always cared about. I used to just constantly thrift and make stuff and cut stuff up and borrow my dad's stuff and borrow my little brother's stuff and all that jazz. ... It's just, if something is cool, then it's cool.
I saw 'Dracula,' 'Frankenstein,' 'The Wolf Man,' 'The Invisible Man.' I saw all those guys on the big screen at RKO in the Bronx. I just always loved that stuff. I loved other stuff, too. That's the thing. That wasn't all I wanted to be.
I always want to find meaning in stuff that sucks - I don't want it to be the end of the sentence.
I loved horror movies, and I loved movies like that - stuff with an anarchy to them, with chaos. Stuff that glorified violence and whatnot. It's not as entertaining now. It effects me now in a way that it didn't then.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
I think the philosophy that you have to have if you travel frequently is, stuff is just stuff. Even if it has some sentimental or family connection, if you lose it in the world, it's still just a thing, and I think if you don't have that attitude, you will get incredibly stressed out and not enjoy your travels.
As a kid, I always loved Mel Brooks' stuff - 'The 2,000 Year Old Man' record was something my dad put me onto.
I've done a lot of dramas, and I've done a lot of serious stuff - some really heavy stuff... which I loved, but I wanted to do something light and airy. I think the challenge for an actor is always to see which parts of you you can explore and go have fun with.
People just want to know something, anything. It's all the stuff you never want to talk about, the private stuff.
I just always loved watching the History Channel and stuff like that. I could come home from school and just watch it all day. It just interested me.
I always loved acting. I always loved realism. I loved the theatre, specifically small audience, real-sets stuff.
To me, as a producer, I always want something to set stuff apart.
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