A Quote by Nate Diaz
Once I turned pro, I was like,' OK, this is not fun and games now. This is me. I'm going to come, and I work on karma. I'm not going to go after somebody if I don't have a reason behind it, so as soon as there is some sort of a reason for me to do something that I need to do, then I'll do it.'
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It's always something that's going to be a part of me. It's the reason why I work so hard each and every day. It's the reason I come to work dedicated to become the best that I can be. Nothing's going to come easy in life, and I've learned a lot of lessons, some the hard way, and I think just the things that I've been through have helped mold me into the person I am and what (is in) my future and that's continuing to do things the right way.
Once I turned pro, I was like okay, this is not fun and games now.
With scheduling and the way projects come up, I take the first thing that interests me and that moves me. If it's going to be fun, if I'm going to have a good time, and I'm going to enjoy the people I'm with, then that's a good enough reason to do it.
Dad once said to me that should he pass away, if there was some way of letting me know he was going to be ok - that we were all going to be ok - the message would come to me in the form of a white feather. Then something happened to me about ten years ago when I was on tour in Australia. I was presented with a white feather by an Aboriginal tribal elder, which definitely took my breath away. One thing for sure is that the white feather has always represented peace to me.
I'm not Joe Paterno. Somebody didn't come and tell me Bernie Fine did something and I'm hiding it. I know nothing. If I saw some reason not to support Bernie, I would not support him. If somebody showed me a reason, proved that reason, I would not support him. But until then, I'll support him until the day I die.
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
Regret isn't good. Every decision one makes in life is made for a reason or another. Whenever something bad happens, I go, 'This is happening for a reason', or, 'This is going to teach me something'.
For the scientists, they're kind of puzzled and pleased that somebody finds their work interesting. It makes it fun for me. I feel like I've sort of turned over a stone that hasn't been turned over.
There was a play that was written by who I think is America's greatest playwright, and he wrote a small part in it for me. It was going to open in Chicago, and then go to New York. But then, he died. It was Arthur Miller. That was the reason I turned Lost down.
The reason for not going out and sinning all you like is the same as the reason for not going out and putting your nose in a slicing machine: its dumb, stupid, and no fun. Some individual sins may have pleasure still attached to them because of the residual goodness of the realities they are abusing: adultery can indeed be pleasant and tying one on can amuse. But betrayal, jealousy, love grown cold, and the gray dawn of the morning after are nobody's idea of a good time.
Certain things work for me, certain things don't. [Going out for drinks is] about connecting, hanging out, and having a reason to spend time together. But you don't really need any kind of reason, other than you want to spend time with somebody.
In every conversation I've had - with housewives in Mumbai, with middle-class people, upper-class, in the slums - everyone says there is an underlying consciousness of karma. That people believe in karma - that what you're putting out is going to come back. If I do something to you, the energy of it is going to come back to me in the future.
If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.
I led the NFL in attempts the past two years and they really didn’t go out and get a quarterback to help me so I knew it’s going to be all on me again. I could see my mortality as a football player, that I’m not going to be able to do this much longer. It just became obvious to me that playing football for me is not going to be fun, not something I’m going to enjoy and it’s time for me to do something different.
One-and-done is the most damaging thing in college basketball. It brings money into the college game, because it kickstarts the bidding war. When you know a kid can't turn pro and is going to go to school for one year and then go pro, that's when you see everyone going to games and courting players.
I never got in a conflict. I didn't want Don Shula to say a word to me at all. My play emphasized that. He couldn't get me for anything or whatever. After that we were ok. I just didn't like the way they used me at the end of the 1963 season going in 1964. I felt that they played games with me.
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