A Quote by Nate Lowman
To me, a drop of oil paint or a xerographic dot are the same thing - they're all just language.
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I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I would say - and paint doesn't peel unless it's acrylic paint, so maybe it is acrylic paint that they're using, not oil paint. So let me say yes, it would be acrylic house paint, which, when it dries, peels very nicely. So let's go with that.
The second thing: nobody has ever been able to drop the ego because ego is not a reality that you can drop; anything to be dropped at least has to be real, substantial. Ego is just a notion, an idea. You cannot drop it, you can only understand it. Can you drop your shadow? You can run as fast as you want but your shadow will run at the same speed, exactly the same speed.
The oil under Libya is the champagne of oil, drop for drop the world's most valuable.
I don't write just to be clever. But sometimes I do. And if you don't have an understanding of the language, then the way in which it's bent doesn't actually register. It's the old you-gotta-paint-like-them-before-you-can-paint-like-you thing.
Paint is something that I use with my hands and do all those tactile things. I really don't like oil because you can't get back into it, or you make a mess. It's not my favourite thing - pencil is more my medium than wet paint.
My thing is about following the accidental, more than trying to paint an accurate bowl of apples. I enjoy most following the paint. It leads me somewhere else. I think I enjoy just letting the magic unfold and letting the spirit of the paint tell me where we're going.
If it’s a pure expression of yourself no matter what it is or what medium, it’s going to shine. It’s going to resonate. You could look inside of yourself and you could have a canvas and you could paint a dot in it, but if that is where your creative purpose is taking you then it needs to be that dot.
I paint very messy. I throw paint around. So when I let myself do the same sort of thing with my writing, and I would just write and write and write and revise, that's when I found my rhythm in writing.
There really is no such thing as race. We all came from Africa. We are all of the same stardust. We are all going to live and die on the same planet, a Pale Blue Dot in the vastness of space. We have to work together.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
And if our goal as moral citizens is to make the world a better place, then there is only once choice: to pump as much oil as we possibly can out of Fort McMurray. Pump and steam and dig and drill and get that oil out of the sand in any and every way we can. Every drop of oil from Alberta is one less drop from some fascist theocracy, or some brutal warlord; one less cent into the treasuries of Russia's secret police and al-Qaeda's murderers.
I used to paint a lot of oil and now I paint more mixed-media stuff.
I will not compromise on language or content. At 15, people can handle the same language as me, they're just as complicated as me and are very interested in thinking about important questions for the first time.
It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method.
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