A Quote by Nate Parker
Far too often scripts are being written with race in mind, but the subject matter doesn't lend itself to any conversation on race. I applaud Jesse [Zwick] for having the courage to say, this [About Alex] just a story about friends, and they could be anyone. There's no specific color that forces a relationship to be discussed in any other manner.
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It's the culture, not the blood. If you can go anywhere in the world and adopt these babies and put them into households that were already assimilated in America, those babies will grow up as American as any other baby with as much patriotism and love of country as any other baby. It's not about race. It's never been about race. In fact the struggles across this planet, we describe them as race, they're not race. They're culture based. It's a clash of culture, not the race. Sometimes that race is used as an identifier.
I'm open about having bipolar disorder. I'm open about being of mixed race. I'm open about being bisexual, and I have this wantingness to talk about it, and for me, it's about more than being a role model for any specific community.
People approach people of color with preconceived ideas. I don't think this is just restricted to white people, but I think that lots of black and white artists, when race is a subject matter, they put race or the ideology around race first. They don't see the person and the complications of the human being.
'An Octoroon' was written over about three years but premiered in 2014. I'm writing about America's relationship to its own history. Race or not, it's a story about suppression and oppression and many populations being devalued systematically.
If you think about 'Person of Interest' with Taraji P. Henson or 'Scandal' with Kerry Washington - any of those black women could have been any race; they just happen to be black. And those are the characters that I'm more attracted to. It's not so much about separation of race, but really, more uniting us.
The idea of racial inferiority or superiority is foreign to me. I can't feel inferior or superior to another man because of race, or in any way antagonistic to him. I judge by the individual, not by his race, and have always done so. I would rather have one of my children marry into a good family of any race than into a bad family of any other race.
There is no superior person by constitutional standards. An applicant who is white is entitled to no advantage by reason of that fact, nor is he subject to any disability, no matter what his race or color. Whatever his race, an applicant has a constitutional right to have his application considered on its individual merits.
I don't know what to say about Asians. I think everyone is "racist," to differing degrees, in that everyone's brain will automatically associate information with other information, based on the information they are looking at (for example skin color, bone structure), but I think focusing on race in any manner that isn't neutral or self-aware probably increases racism.
The good is where American dream is alive and kicking. You can be any race, religion, color, creed, sexual orientation - it doesn't matter who you are or where you're from. If you have a talent and you have a passion and you're prepared to work hard, you can be anything you want to be. That's what I like about being in America.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
We are not post-racial. And in many ways we don't even know how to have a conversation about being post-racial. Until we get out of that old-school way of thinking about race and opportunity and the ability to transcend some of the past of this country, then we're going to be stuck in the 20th-century conversation about race.
But George Lucas is carrying about Black actors, about Black men, about Black history, which really incorporates and tells all of history. You can't take one race out without eliminating every other race if you're going to tell the story of the human race.
I guess you could say I've written a lot about one thing as a journalist. But I hardly ever saw it as exclusively about race. To my mind, it was more about telling stories of people who existed outside the mainstream's field of vision. Invisible people.
As to the human race. There are many pretty and winning things about the human race. It is perhaps the poorest of all the inventions of all the gods but it has never suspected it once. There is nothing prettier than its naive and complacent appreciation of itself. It comes out frankly and proclaims without bashfulness or any sign of a blush that it is the noblest work of God. It has had a billion opportunities to know better, but all signs fail with this ass. I could say harsh things about it but I cannot bring myself to do it-it is like hitting a child.
White Americans have the option of not having to think about race on a daily basis. People of color don't. Race is a major deciding factor in their lives and the histories of their families.
Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm . . . At fifteen, I couldn't say two words about the weather or how I was doing, but I could come up with a paragraph or two about the album Charlie Parker with Strings. In high school, I made the first real friends I ever had because one of them came up to me at lunch and started talking about the Cure.
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