A Quote by Nate Powell
There's nothing that compares with the time spent all by myself on a creation that is all my own. I still think of my solo work as my 'home planet' in comics, though I've learned to listen much more to editors and trusted friends for feedback.
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I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!
I learned that it's important to treat yourself like a work in progress, to think about how you can improve, to listen to feedback.
I love comics work, and I hope I never stop doing it. But at the same time, I have my own law practice that I've built up over quite a while - it's been more than a decade that I've spent building that business - so it seems a little premature to just shut it down after nine months of working at a high level in comics. We'll see.
I think I've become more aware of aging in the last couple of years because of friends dying of cancer or friends' parents dying and myself - I'm still healthy, but I'm aging, and that's something that I think about more, even though I shouldn't be too concerned.
The main difference between illustration and comics is that comics are much, much more work. Every comics page is the equivalent of six to nine illustrations.
I come from a family of domestics. I think most African-Americans of my age do. They were trusted by their bosses. I have met so many white people that spent more time with their nannies than they have with their own parents.
I'm much more concerned about what artists think. But as you get older you tend to get much more isolated; you're not out in the bar, having long drunken arguments on the benefits of your work vs. someone else's. It's hard to know how people are looking at it, and you don't get much feedback. The written critical stuff seems to be the feedback, but that's hard to interpret.
There's nothing that compares to being in a band with your best friends. We're so comfortable together, we understand each other. It feels, like, normal. Whereas solo period felt like I was trying to be something, and play a role, and pretend.
I like LA. LA is cool, but it ain't like home. Atlanta is home. All my friends are here, I grew up here. But LA is cool. Its more like a big office. Its work and you work, and you're meetin' people all the time, but its more like acquaintances than friends and stuff.I wanted to cut down on the profanity, because I think I'm funnier without sayin' a lot of cuss words.
That has been one of the pleasant surprises of my semester - finding that some of my Liberty friends are still my friends, even though they now know where I stand on social and political issues. These aren't cloistered idealogues, for the most part. They have liberal and non-religious friends. I think they're much more compromising than the evangelicals of a generation ago.
I try to set an intent every morning and take time to think about whatever I hope to achieve that day. I've learned that there's never going to be enough time to do anything. It's never going to be a perfect day, and I'm at a point in my life where my children are more important than work. Work is still important to me though, and I love what I do.
We all sorely complain of the shortness of time, and yet have much more than we know what to do with. Our lives are either spent in doing nothing at all, or in doing nothing to the purpose, or in doing nothing that we ought to do. We are always complaining that our days are few, and acting as though there would be no end of them.
When I was little, I thought my country was the best on the planet. And I grew up singing a song called 'Nothing To Envy.' And I was very proud. In school, we spent a lot of time studying the history of Kim Il-Sung, but we never learned much about the outside world, except that America, South Korea, Japan are the enemies.
In fact, I was one of the few trusted people that Lucy allowed to play with their kids. I spent time at their summer home, rode horses at their ranch, and swam at their beach house. I even spent a Christmas with them at Palm Springs one year.
I don't like the idea of teaching religion in schools, and creation is not my thing, but that's a trivial point compared to saving the creation. I'd much rather have half of the people in the country be creationists and work really hard to save the creation than have everybody be evolutionists and be destroying the planet.
Why does the need to explain comics still exist? Because that prejudice still exists. It's fading, but it's still very strong. It's important to keep pushing the boundaries of what people know comics to be so that they are receptive to the whole world of comics, not just one or two genres of work.
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