A Quote by Nate Powell

There are constant challenges in the drawing process, especially in a period piece, and therein lay the fun. — © Nate Powell
There are constant challenges in the drawing process, especially in a period piece, and therein lay the fun.
There was about six months when I was absorbing other stuff and not drawing very much. After a long period of not drawing, you have to, like, relearn how to draw. It's not very fun.
After a long period of not drawing, you have to, like, relearn how to draw. It's not very fun.
There was a period there where I was like, "No, no, no, this is crazy. I don't want to take any more drawing classes and talk about what looks best. I want to study math and psychology and physics and all these nerdy things with computers." That was fun and great, but that didn't work out. At the end of high school, I was like, "Uhh, what's easier? Drawing is easier, I'll do that".
I like drawing. I like to spend the day drawing, the process is important for me. Drawing is a just a pleasure and it's nice to keep it going.
It was really fun to play a period piece because I've never done that before and it's completely different.
I really enjoy the constant change in TV. It's fun to play a character that is, hopefully, growing and developing over a long period of time.
A period piece is a great opportunity for an actress. I love acting because I love to pretend, and when you're doing a period piece, then even the time you're in is pretend, so there's that much more to play with.
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other...
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other.
I would like to do a period piece. I think that would be fun.
The writing is hard, and the drawing is fun. It's very satisfying to see a drawing start to come together.
The creative process requires a period of boredom, of being stuck. That's actually a very uncomfortable period that a lot of people mistake for writer's block, but it's actually just part one of a long process.
The editing process, for me, is both the most fun and the most frustrating. It's the most fun because you get to see it actually piece together. But if one thing is off, it can be frustrating trying to figure out exactly what it is that's bumping you, so you try a hundred different things.
You have to lay down in the center of the action lay down and wait until it charges then you must get up face it get it before it gets you the whole process is more shy than vulnerable so lay down and wait sometimes it's ten minutes sometimes it's years sometimes it never arrives but you can't rush it push it there's no way to cheat or get a jump on it you have to lay down lay down and wait like an animal .
The real writing of a piece comes only when you are performing it. It is why I like theatre. In film and TV, the image is locked forever, but in theatre, there is constant change; each performance is part of the writing process.
A large part of how an actor works and their process is the stimulation of what's around you, and none more so than in a period piece. This is a modern piece, as much as it is set in a different time, age and myth. If it wasn't relevant, it wouldn't have been made and we wouldn't be putting our energy into it. It's relevant for us today because, in some ways, it throws up a mirror to all of us. As an actor, you get stimulus and you're effected by that, whether it's costumes or funny beards or castles.
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