A Quote by Nate Ruess
I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.
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The coolest thing for me to do was listen to Pearl Jam's 'Ten,' Nirvana's 'Nevermind,' or Soundgarden and play along to it and think about how awesome it would be to be in one of those bands and be up on stage. When I'd close my eyes at 13 and dream of being in Pearl Jam or one of those bands, it was exactly like how it is now with the band I'm in.
The ideology of the Smashing Pumpkins was ultimately more valuable than the music of the Smashing Pumpkins. That's what critics can't put their finger on.
And if I'm honest about it, I was obsessed with Nirvana and Pearl Jam. This is like '92, right in the throes of Soundgarden and Pearl Jam and Nirvana. I think I probably wanted to be Kurt Cobain.
My father played guitar, so I always wanted to play for that reason. But I think the biggest reason was just the '90s in general - growing up listening to the Smashing Pumpkins, Green Day and bands like that, and going to concerts and thinking it was the coolest thing in the world.
People wonder if the Pearl Jam audience will get into The Buzzcocks. Eddie Vedder is a big Buzzcocks fan. He used to come to see Buzzcocks before he was in Pearl Jam. If his fans like what he likes, I guess that they might like The Buzzcocks.
I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.
I think the singer in Pearl Jam should eat some Pearl Jam! He cannot sing to save his life! And the guitar player needs to seek help.
Nirvana, Weezer and Smashing Pumpkins, all those bands, at their core, are just really incredible pop music and I think a lot of that stuff has deeply affected the way I approach music.
I've always loved music videos - I used to make my own for bands like Pearl Jam. My favorite directors are Michel Gondry, Spike Jonze, and Patrick Daughters.
I grew up in the '80s and '90s listening to Public Enemy and Mobb Deep and the Smashing Pumpkins. I don't even know what it was like in the '60s - I wasn't alive then - so the Mayer Hawthorne sound is taking what I can learn from the classics, and blending it with my hip-hop DJ and producer background and punk-rock bands that I played in as a kid.
I want to be 'Jimmy Chamberlin, the drummer, the musician who's done many things,' not just 'that guy from the Smashing Pumpkins.'
I never wanted to leave the Smashing Pumpkins. That was never the plan.
Pearl Jam is a band I have a lot of respect for. Nirvana and Sonic Youth I feel the same way about. Mumford & Sons, My Morning Jacket, Wilco, Givers, and Foo Fighters are just some of my favorites. I respect bands that give me something of themselves that I can feel. ("Posing" bands turn me off generally speaking.) It all has to do with a feeling I have about them. That is what music is to me, a feeling. It's similar with people too.
It's the faster bands that made me want to play guitar, bands like The Jam.
Smashing Pumpkins has never been a band about hit songs.
I was never able to get through Mellon Collie and the Infinite Sadness. I've never been able to make it through. And I love the Smashing Pumpkins, they're one of my favorite bands ever, but I've never been able to listen to the whole thing all the way through.
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