A Quote by Nate Ruess
I was in a really crummy pop-punk band. I think we did a whole bunch of Blink-182 covers, and we were on the fringe of losers and jocks. So we invited all the cool kids to come watch us play in our bass player's brother's bedroom. And it was terrible, but everyone thought we were so cool.
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I think that breaking into the mainstream - it was just the right cycle of music for us in Blink-182. People were kind of over the boy-band, pop-princess, manufactured sensibility, and were excited for guitars and angst and energy and enthusiasm, which is our thing.
When we started, our style of music wasn't on MTV. It wasn't cool, and it wasn't popular. The only bands who were even kind of similar were Blink-182 and Green Day. But we don't sound like those bands, even if people throw us in that category now.
I think people take Blink-128 more seriously now than they did before. And it's largely our fault because we called our records Enema of the State and Take Off Your Pants and Jacket. We were always kind of the underdogs, especially critically. People wrote us off as this joke band. But the people who listened to Blink knew that we were silly and whatever, but we wrote songs about divorce and suicide and depression. Those kids that were listening to Blink are now the ones that control all these outlets that used to just write us off.
My older brother was the guitar player in the neighborhood band. My parents were the cool ones that had the basement for rehearsal. Rather than hang with my peers after school, I wanted to just listen to the band. More than that, I wanted to play.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
We kinda were a radio-rock band. We were still pretty technical, but I think the prog people hated us because we didn't do a bunch of weird time signatures... which are cool at times, but I'm more interested in progressive harmony.
I love Nirvana, Weezer and a lot of pop punk stuff - Blink-182, I loved.
When The Murderdolls started it was a really cool thing, especially for me because I had never done anything on that scale before. Even for our drummer and bass player it was their first really big band.
I've always thought that "punk" wasn't really a genre. My band started in Olympia where K Records was and K Records put out music that didn't sound super loud and aggressive. And yet they were punk because they were creating culture in their own community instead of taking their cue from MTV about what was real music and what was cool. It wasn't about a certain fashion. It was about your ideology, it was about creating a community and doing it on your own and not having to rely on, kinda, "The Man" to brand you and say that you were okay.
I used to have this little punk pop band, and I don't know why we did 'Behind Blue Eyes,' because it's not punk pop. But we did, it was our slow jam.
The cool thing is, when we first did our joint Ring Of Honour-New Japanies Wrestlers, I think that definitely existed. I think the ROH guys were like, "we can't let these New Japan guys outshine us" the new japan guys were ready to make a statement as it was this really big event in America. But the cool thing about this relationship is we've literally become a family now. A lot of us are friends with each. We obviously respect each other.
When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And I'm the next Cool-Kids-Chief, if you will.
Back in those days, all us skinny white British kids were trying to look cool and sound black. And there was Hendrix, the ultimate in black cool. Everything he did was natural and perfect.
I obviously love those characters ['The Avengers'] with my whole heart. I was on a one-man "Luke Cage is cool" campaign for most of the Aughts. When we announced the New Avengers line-up, and Luke Cage and Spider-Woman were there, a lot of fans went, "WHAT?!?!?! Bulls--t!" And I had to prove myself. They were right: I can't just announce they're cool. What's less cool than that? I have to show that they're cool! But this is way farther than I ever thought it would go.
As a kid, I always idolized entrepreneurs. I thought they were cool people in the way that I thought basketball players were cool people. It's cool that some people get paid to dunk basketballs, but I'm not one of those people.
I was really into Blink-182 and punk bands like NOFX and MXPX.
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