A Quote by Nathalie Sarraute

The novel moves like all the arts. It's transforming itself all the time. — © Nathalie Sarraute
The novel moves like all the arts. It's transforming itself all the time.
To AMC's credit, I think what they saw was the show doesn't exist in the marketplace. They knew that there was a hunger for a martial arts show. They also knew that you have this strong tradition of martial arts cinema, so even though it's not branded by a novel or a comic book or an old movie or something, we do have the genre itself, which people love.
The arts were like, there's no opponent. It's just yourself. I'm not saying they don't make the arts a competition with awards and all that, but that's outside the work itself.
We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.
A novel is a static thing that one moves through; a play is a dynamic thing that moves past one.
Skateboarders are envied by people because they just glide so free. Any time something moves like water, they’ll make a dam. Every time something moves in nature, they want to stop it.
I don't doubt that at the dawn of martial arts, the main goal was to beat up one's opponents in the most effective way possible. But then, indirectly, the alchemy of martial arts began to strike some chords deep within the spirit of many individuals, transforming living war-machines into poets, artists, and philosophers.
A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.
Anyone who works in the arts knows, if you're writing a novel or a play or anything, you have to be ready for someone to say, 'Your time is up.'
There's guys like Daniel Bryan and CM Punk that incorporated mixed martial arts submissions and moves into professional wrestling. I feel like the way it was incorporated was really good, but there's not enough people doing it.
As you know, transforming such a big book [The Gunslinger Born] into graphic novel format is really a process of translation.
The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
You're different. You're more perfect. Time is three things for most people, but for you, for us, just one. A singularity. One moment. This moment. Like you're the center of the clock, the axis on which the hands turn. Time moves about you but never moves you. It has lost its ability to affect you. What is it they say? That time is theft? But not for you. Close your eyes and you can start all over again. Conjure up that necessary emotion, fresh as roses.
Time by itself means nothing, no matter how fast it moves, unless we give it something to carry for us; something we value. Because it is such a precious vehicle, is time.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.
Moon is like Soul. Clouds are like all the situations in our life, relationships, youth, etc. Wind is like the Time. Just like the wind moves the clouds, Time moves all the situations in our life. But the soul is always the same and not on the temporary situations. One who focuses on soul is a moon-like person.
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