A Quote by Nathan Englander
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
Quote Topics
About
Actor
Another
Around
Around The World
Beautiful
Berlin
Book
Cross
Even
Everyone
Except
Feel
German
Going
How
Know
Language
Laugh
Laughter
Like
Maybe
Me
Move
My Own
Now
Over
Own
People
Reading
Reminds
Rhythms
Say
Should
Sitting
Sometimes
Specific
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Subject
Then
Think
Very
Very Beautiful
Well
Working
World
Writing
Quote Author
Related Quotes
I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we’re going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn’t feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It’s a proper character and that’s my favorite stuff to do.
Of course I want the things I write to reflect well on me or anyone who might feel represented by me, but also, I'm not writing a guidebook on how to be or how my people should be seen. I'm telling very specific stories.
If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process. And how does that happen? Well, it happens when I know more than you do, and when I know that I know more than you do, and I'm holding it back from you. So that I can then manipulate you at the end. You know, you think about like in a dating situation how terrible that would be, it's the same thing with a book.
I have a lot of friends, in and out of golf, and there is a mutual trust. I'm very serious at the course. Maybe if I joked around more around the press tent, your image of me would be different. But that's not me. And the golf course is my office. If I come up to you when you're writing a story, are you going to drop everything to talk? Or are you going to say you're too busy doing your job?
Not that I say,"Oh,I'm not going to associate with certain people.," but I have my world,and I only want to be around people who I feel stimulated by. I have to be honest I do have a new quest: I want to meet more vegetarians,people who are more like minded. There's something real neat about that feeling. It makes you feel so settled to know there's somebody else sitting right there,being so passionate about what I'm passionate about. I don't want to be around selfish people. I try to keep myself surrounded by deep people who will move me.
Sometimes, people who are very fastidious about what they're going to do in their work are not very fastidious in their private life. I'm like that. I love it when people do really nice things around me, but I don't have time to do it for myself. It's very hard for me to even buy a new pair of trousers.
I grew up in a religious family and, like, that was a very big part of my life, and still, very much, is even though I don't affiliate with any specific religion. It's just, for me, you know, the spirituality of being able to own up to your sins, as they're called, and take responsibility for your actions really hit me this time around.
I've been asked about the glass ceiling a lot, and I don't think of myself as some kind of crusader going around smashing glass. I don't feel like I had to - and that is a very, very strong flag showing the people around me made it, so I didn't have to.
To me, it's an assignment, and my job is to tell the story. To me, it's easy, and to me, it's what I'm paid to do and what I've dreamt about doing from day one. Sometimes people don't like the stories, but it is what it is. So to me, I absolutely feel like no matter, if I'm calling a game between my brothers or my parents, the facts are the facts. The story dictates itself to me, and I relay the message to the viewers as well as I possibly can. That's going to be my job whether it's the Warriors or anybody else.
Fashion to me is very emotional. It's my strongest form of self-expression, and I love wearing a piece of clothing where I feel like I can run around at any moment and dance in it. So you know, I guess when I'm designing, I want the clothes to feel celebratory and feel very light and fun and feel like you could move seamlessly.
Maybe we were together in another life...in a parallel universe, maybe our paths are not supposed to cross twice, maybe your arms are not supposed to go around me. I hear about you now & then, I wonder where you are & how you feel. Sometimes I walk by & I look up to your balcony, just to make sure you were real-just to make sure that I can still feel you...it appears to me that Destiny Rules.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way.
You find a story - or more importantly, you find some characters - that you want to be around as a filmmaker. The style and how we're going to shoot it and how we're going to design it and how it's all going to feel and look depends on that story. They tell me how I should shoot it.
I know, for me, that I have always been very conscious of how I dress when I go to the studio, I'm very conscious of my body language when I'm working - a lot of times, I'm the only female in the room. It's a very male-dominated profession. I'm always around guys. Guys are going to try you all day, and they're going to flirt all day.
I can't give a formula for how to spread joy, but I know that the source of the joy is one's own joy, and that that is not distinct from pleasure and fulfillment of desires. So I ask: What makes me feel alive? What is the expression of my inner wild? What would really feel good? What if what makes me feel alive leads me toward the deeper joys, which are found in generosity and service, in creating things that are beautiful to me? Maybe the world needs more of that. How many petroleum company executives are doing their work because it's beautiful to them? Not very many, I bet.
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