A Quote by Nathan Englander

When you see 'editor' on a book, there are many permutations of what that title can mean. — © Nathan Englander
When you see 'editor' on a book, there are many permutations of what that title can mean.
I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.'
I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.
When I choose the title [for my book], which was my favorite title, I felt sure there was going to be a dozen books maybe with that name already because it's so obvious to me that that's the message. I was surprised it hasn't been the title of a single book. Well, there is a Shel Silverstein children's book called Falling Upwards. But no one has chosen Falling Upward as a title and I'm very happy it's right on the cover.
Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book and I still don't have a title. I have to go through the book again and then sometimes I hope a title jumps out at me from what I've written.
It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.
Many people told me not to call the book '... Refugee' because Aussies won't buy it. I told them I have faith in Aussies, and it makes me a proud Aussie to see that the title hasn't hurt the book.
Many people think that it is important to have a title before you begin writing the book, but I think you should never sit around waiting for the right title to strike before you start writing. Crack on with the story, put in the hard work, and the title will come eventually.
An editor who is a mentor, advisor, and psychiatrist. Don't kid yourself-a good editor will make your book better.
I thought a book on miracles might be a great idea, but just because it's a great idea doesn't mean I'm supposed to do it. But my editor persisted, and eventually I thought, 'He's right. I should write this book.'
I wanted to be my own editor, and by 'editor,' I mean unedited-or.
Twenty years ago, I wrote a book called 'It Takes a Village.' And a lot of people looked at the title and asked, 'What the heck do you mean by that?' This is what I mean. None of us can raise a family, build a business, heal a community or lift a country totally alone.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I had thought up the title, 'The Good Luck of Right Now,' several years ago. I had no idea what it meant or what the book would be about but I thought, 'Someday I'm going to write a book with that title.'
Although being economics editor sounds impressive, it does not mean I actually edit anything. It mainly reflects two decades of title-inflation at the BBC, which has given ever more status to senior reporters, presumably because it is cheaper to do that than to offer higher pay.
I'm very much afraid I didn't mean anything but nonsense. Still, you know, words mean more than we mean to express when we use them; so a whole book ought to mean a great deal more than the writer means. So, whatever good meanings are in the book, I'm glad to accept as the meaning of the book.
Forrest Mims is the author of the famous book 'Getting Started in Electronics,' published by RadioShack for many years. I bought the book in the 1980s and had a blast making the projects in it. When I was editor-in-chief of 'MAKE,' I asked Forrest to write a column for the magazine, called 'The Backyard Scientist.'
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