A Quote by Nathan Englander
I didn't sleep the night I finished 'Sister Hills.' It was so unsettling. I felt really wild. I didn't have a clue. It's a very loaded subject, and I did not know what I had. I was interested in watching how choices unfold over time. It's a story that's raising questions.
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In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.
I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
A chess master can keep track of more choices than the number of stars in the galaxy within an instant, but these are people that have truly learned and mastered the choices that they have and how to deal with those choices over a very, very long period of training, so essentially what they're really doing is ruling out all the irrelevant choices and only zeroing in on the most relevant, useful choices at the moment.
I've been airbrushed out, as it were. You can imagine my frustration at being erased from history deliberately. I really don't know how Yoko can sleep at night knowing what she's done. But I can tell you I sleep very peacefully.
Night terrors are very different from nightmares. A lot of people will think they're the same, but they're really not. Night terrors - you want to look at the time of night when you're having the problem. Night Terrors happen in deep sleep. Nightmares tend to happen in a lighter REM sleep.
Dena had always been a loner. She did not feel connected to anything. Or anybody. She felt as if everybody else had come into the world with a set of instructions about how to live and someone had forgotten to give them to her. She had no clue what she was supposed to feel, so she had spent her life faking at being a human being, with no idea how other people felt. What was it like to really love someone? To really fit in or belong somewhere? She was quick, and a good mimic, so she learned at an early age to give the impression of a normal, happy girl, but inside she had always been lonely.
I always thought that the movie had to be really raw, very edgy, that everything had to be super grounded and feel very real. If this was going to be a story about kids discovering time travel and building a time machine that we needed to believe that they really did it .
The 'Day Shift' songs are things that would unfold during the daytime. 'Night Shift' is what would unfold during the nighttime. So, that's how I put that whole thing together. I did both all on one album budget.
I joined another circle and the leader gave us a little leaflet in very small print, asking us to read it carefully and then come prepared to ask questions. It was a technical Marxist subject and I did not understand it nor did I know what questions to ask.
I got into psychology simply because that's what my sister did, and I grew up in a family that was very, like, 'Follow your sister's footsteps.' I went to the same school she went to, did the same degree she did... really had no interest in it, to be honest.
I got into psychology simply because that's what my sister did, and I grew up in a family that was very like, follow your sister's footsteps. I went to the same school she went to, did the same degree she did ... really had no interest in it, to be honest.
It's been a wild ride. I hope people can appreciate how special it is to see the people that ran well today; how special and sometimes fleeting greatness can be even from yourself. I gave it everything I had and for a short period of time I did very very well and I'm very proud of that and I'm leaving it at that. I did the best I could.
Early on... I did notice that a lot of people had the tendency to do their own story starting out. I felt like I was never interested in that, and I wanted to tell stories of people who are very different.
Even I had a lull period in between when I was sitting at my home without work for a year and a half. There was a time when I did not know whether my film will be made or not. I had no clue back then, but I did not sit and complain.
I think I'm very interested in people, in the way our minds work and how we navigate through the experience that is life. Very interested in people's struggles and their choices and their regrets and joys. I'm very interested in the human animal.
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