A Quote by Nathan Fielder

I'm very bad at ending sentences. A lot times I just want to say, 'That's the end of my sentence. I have nothing more to say.' — © Nathan Fielder
I'm very bad at ending sentences. A lot times I just want to say, 'That's the end of my sentence. I have nothing more to say.'
The book works better if I know everything I can about the ending. Not just what happens, but how it happens and what the language is; not just the last sentence, but enough of the sentences surrounding that last sentence to know what the tone of voice is. I imagined it as something almost musical. Then you are writing toward something; you know the sound of your voice at the end of the story. That's how you want to sound in those final sentences: the degree that it is uplifting or not, the degree that it is melancholic or not.
I find I can write for two lines, and then I have nothing else to say. For me, the only way to find something comes through the sentence level and sticking with the sentences that give a subtle feeling that there's something more to say.
For ever and ever, we say when we are young, or in our prayers. Twice, we say it. Old One, do we not? For ever and ever ... so that a thing may be for ever, a life or a love or a quest, and yet begin again, and be for ever just as before. And any ending that may seem to come is not truly an ending, but an illusion. For Time does not die, Time has neither beginning nor end, and so nothing can end or die that has once had a place in Time.
Say what you have to say and the first time you come to a sentence with a grammatical ending - sit down.
One thing I noticed over time is that if I got a bad review, usually the bad part of it was at the very end. I could tell that nobody read the whole review because they would just say, "It was great to see the review!" In a way, my brain shuts down at the end of an article. It doesn't really want to go to the end.
One thing that makes me very happy is to have a complicated idea and to feel that I've expressed myself clearly. I remember writing the ending to 'Happier at Home.' I wrote the entire book to build to that ending 'now is now,' and what I had to say was very abstract, and yet I felt satisfied that I managed to say what I wanted to say.
How do I handle it? I would say more times than not, if I have a bad shot, I just get angry and almost like kill the next one. And it usually works I would say 9 times out of 10.
The legacy of the fairy story in my brain is that everything will work out. In fiction it would be very hard for me, as a writer, to give a bad ending to a good character, or give a good ending to a bad character. That's probably not a very postmodern thing to say.
I will argue until my last breath for a pathway to citizenship that is quick and efficient because I want to end this chapter. I want to end it...But let me say, conversely, I am as committed as any Republican to ending illegal immigration as we know it...They want to end it. So do I.
It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again.
Maybe my movie isn't over, I say, because sometimes moviemakers trick the audience with a false bad ending, and just when you think the movie is going to end badly, something dramatic happens, which leads to the happy ending. This seems like a good spot for something dramatic to happen, especially since it's my birthday.
There's a lot of good fans out there, but there's also a lot of bad - I don't want to say bad people, but a lot of people who just want to try to get on your nerves and stuff like that, man.
In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.
People say it's better to know the truth, but what if the ending's a bad one? Is it still better to know? Or is it kinder to keep that string of hope dangling? To believe that maybe if you just wait long enough, everything could still end the way you want.
I remember my wife in white.' It just made people weep to hear it...Everybody just thought it was the saddest sentence that was ever written. And it didn't matter if I never wrote another word. This one sentence had put an end to the need for any future sentences. I had said it all.
I think we waste a lot of time trying to convince other people that we're right. A lot of times we don't actually care what another person thinks, we just want to say what we think. To hear it reflected back to us and that we're okay, to hear that we have been understood and that we're correct - so that we can continue to be who we are in the ways we've been being, and we have nothing to feel bad about and everything is just fine. Even if what we're talking about is, like, police brutality.
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