A Quote by Nathan Fillion
I don't have 4 or 5 projects in front of me and an offer on every one saying 'what one would you like to do?' Things come along one at a time.
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I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
There are many projects that come an actor's way, and one cannot say yes to all of them. Reasons of saying no vary all the time, but for me, it has never been on the pretext of not wanting to work with 'a particular actor' ever! I would never do that.
Well, it seems like a miracle to be able to look forward-to-to see all the minutes in front of one come hopping along with something marvellous in them, instead of just[Pg 295] saying, Well, that one didn't actually hurt and the next may be quite bearable if only something beastly doesn't come pouncing out--
... That would be like stepping in front of a moving train and saying, 'Hey, honey, come stand next to me.'" I hopped off the wall and stood next to him. "Anytime." He just looked at me. "I've never killed a train before. It might be fun to try.
By the time we got to Courageous, we were bringing in more outsiders, so any time we would bring in outsiders, we would offer to pay them, and [as for volunteers from] the church, because they were getting the benefit of the income to all the ministries of the church and the mission, the building program and all those things, they knew up-front that they were volunteering and gladly did so.
I didn't want to come in the movie every so often, every 20 minutes saying, 'Dinner is served, would you like coffee?'
I look for characters that offer me opportunities to explore some aspect of the human condition. I think a lot of actors would say that and would look for that. I've been lucky enough to find projects that let me do that.
We say no to lots of things that would please us. I would like to punch people every now and then, but I don't. I would like to have something for free rather than pay for it. I would like to skip to the front of the line... I don't mean to brush aside the taste of meat, which is a powerful attraction. But its power is not without limit.
Little projects - not feature - film projects - you know, theater things, writing things, and jobs like doing rewriting for money, stuff like that. I don't recommend it. It's not a schedule that I'd want, although it was really good for me in a lot of ways. I became a better writer.
I won't quit my day job. I like restaurants. I don't do a lot of television, either, even though people come to me with projects all the time. I have to spend time in the kitchen.
In a media landscape that has grown in unimaginable ways, there are more projects that have come along now than ever. While the number of projects has grown, many players are vying for that audience.
When I was a kid, some of the guys would try to get me to hate white people for what they've been doing to Negroes, and for a while I tried real hard. But every time I got to hating them, some white guy would come along and mess the whole thing up.
Really, I get inspired by just switching projects and instrumentation and things like that - that creative part of just being different every time is really what inspires me.
I love it when I come across a word I don't know. And I would never treat my audience like they weren't smart enough to come along with me.
I want to keep growing as a writer. I find myself doing unexpected projects and sort of challenging my idea of where I am in my career, or what I'm supposed to be doing. In fact, I'm not supposed to be doing anything. Just finding projects that are challenging to me. I want to be a writer who keeps growing and figuring out new things and hopefully people will follow me along as I publish these things.
When I woke the next morning in my room at White's Motel, I showered and stood naked in front of the mirror, watching myself solemnly brush my teeth. I tried to feel something like excitement but came up only with a morose unease. Every now and then I could see myself-truly see myself-and a sentence would come to me, thundering like a god into my head, and as I saw myself then in front of that tarnished mirror what came was 'the woman with the hole in her heart'. That was me.
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