A Quote by Nathan Fillion

Somebody once said that you can never act and be another person; you're only acting facets of yourself. I think there's a lot of truth in that. — © Nathan Fillion
Somebody once said that you can never act and be another person; you're only acting facets of yourself. I think there's a lot of truth in that.
I still believe there is a lot of truth in Orthodox Judaism, but not the whole truth. Each person has his truth that he has to discover. You don't necessarily have to mold yourself to another idea of who you are.
Viewers don't see more of anchors because we shoot only once a week and it's aired across three months; so, you always feel that a certain person is only anchoring. I've been acting for fifteen years and hosting for seven years, but I haven't done a soap, so a lot of people tend to think I'm not acting anymore.
What I do is I don't act a part, I give a piece of myself. Old friends that have known me for a long time, when they saw me in my first movie said: "Roland you are not acting; you are just being yourself." But I don't think you can deliver a role without putting something of yourself into it, and I just realised that everyday we do a little bit of acting.
I can relax in L.A. I think I'm the only person in that town who doesn't want to act. I was an OK singer. I was an OK dancer. But acting? Never could do it.
Start telling the truth now and never stop. Begin by telling the truth to yourself about yourself. Then tell the truth to yourself about someone else. Then tell the truth about yourself to another. Then tell the truth about another to that other. Finally, tell the truth to everyone about everything. These are the Five Levels Of Truth Telling. This is the five-fold path to freedom.
It's so funny, you go to acting school thinking you're going to learn how to be other people, but really it taught me how to be myself. Because it's in understanding yourself deeply that you can lend yourself to another person's circumstances and another person's experience.
Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part.
Bottom line: I can relax in L.A. I think I'm the only person in that town who doesn't want to act. I was an OK singer. I was an OK dancer. But acting? Never could do it.
I play knowing that there is somebody watching me out there in the crowd that has never had the opportunity to watch a game before and it might be the only chance they ever to see one, live in person. Michael Jordan once said that in an interview, and I really took it to heart; whenever I step on the floor, I play for that person.
To paraphrase something the anthropologist Ashley Montagu once said, the way I change my life is to act as if I'm the person I want to be. This is, to me, the simplest, wisest advice you can give anyone. When you wake up and act like a loving person, you realize not only that you are altered, but that the people around you are also transformed, because everybody is changed by the reception of this love.
I think we do live in a very specialized society, where once you think about somebody as one thing, it's hard to change that. But I do a lot of things. I act, I write, I sing.
What you feel about another person, what you think or say about another person, what you do to another person – you do to you. Give judgment and criticism and you give it to yourself. Give love and appreciation to another person or anything, and you give it to yourself.
Sometimes they threaten you with something - something you can't stand up to, can't even think about. And then you say, Don't do it to me, do it to somebody else, do it to So-and-so. And perhaps you might pretend, afterwards, that it was only a trick and that you just said it to make them stop and didn't mean it. But that isn't true. At the time when it happens you do mean it. You think there's no other way of saving yourself, and you're quite ready to save yourself that way. You WANT it to happen to the other person. You don't give a damn what they suffer. All you care is yourself.
The great German scholar Helmut Thielicke once said that a person who speaks to this hour’s need will always be skirting the edge of heresy, but only the person who risks those heresies can gain the truth.
I think the beauty of the film industry is that if another person tries to become another person or act like another person or imitate another person, they don't really get too far. When that person starts to realize who they are and what they can bring to the table, they start to blossom and grow. With that, it's not so much me looking towards my predecessors who have paved the way in the industry - it's more getting inspired. I get little bits and pieces of what I can take from any and everybody.
I have a good time when I'm acting, and bottom line, I just want to enjoy myself and be a happy person, and acting makes me happy. I enjoy it, and it's a good way to escape yourself. You just become somebody else for a little bit, and it's a lot of fun.
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