A Quote by Nathan Fillion

People keep inviting me back. It's nice to work with the same people when you've had a good time previously, and this is one of those cases. — © Nathan Fillion
People keep inviting me back. It's nice to work with the same people when you've had a good time previously, and this is one of those cases.
The opening of a foreign trade, by making them acquainted with new objects, or tempting them by the easier acquisition of things which they had not previously thought attainable, sometimes works a sort of industrial revolution in a country whose resources were previously undeveloped for want of energy and ambition in the people: inducing those who were satisfied with scanty comforts and little work, to work harder for the gratification of their new tastes, and even to save, and accumulate capital, for the still more complete satisfaction of those tastes at a future time.
People keep asking me if the Boosh is coming back, and I say, 'I hope so.' I'm not bothered people ask me about it. TV's become quite disposable, so to make something that lasts a bit of time - it won't last forever - is quite nice.
I love just going out and sitting down in the park along with the thousands of other people who apparently have no work to do during the day. People come up to me, but they are generally really nice. New York makes it easier, for me at least. People manage to be enthusiastic and sort of sane at the same time. And that’s lovely.
I consider myself a good person. And I think people perceive me to be, 'Oh, she's nice,' but being a good person, knowing your strengths and working towards those strengths, and encouraging those around you to do the same, that's a good person.
It is those same so-called experts who said we had no chance of winning the primary. It will be hard work, but we can win. And if those same people who fought against me work just as hard for me, we will win.
I'm around a lot of good people who keep me grounded and don't let me get too high above my raisings. I have some good friends who don't talk about my job, and that's nice. Those are the friends who are my favorites. That helps a lot.
It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.
Saxton smelled really good and had a handshake that was firm. "You've grown up a lot." Blay found himself flushing as he took his hand back. "You're just the same." "Am I?" Those pearl eyes flashed. "Is that good or bad?" "Oh...good. I didn't mean---" "So tell me how you've been. Are you mated to some nice female your parents set you up with?" Blay's laugh was sharp and hard. "God, no. There's no one for me.
You get work however you get work. People keep working, in a freelance world, and more and more of today's world is freelance, because their work is good, and because they are easy to get along with, and because they deliver the work on time. And you don't even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. They'll forgive the lateness of the work if it's good, and if they like you. And you don't have to be as good as the others if you're on time and it's always a pleasure to hear from you.
I had a good time at Liverpool. They were great lads. The manager had his reasons to keep me on the bench, and at the same time, they were on a good run.
I enjoy those small chats you have when people come up and talk to you about your work. It only involves a few seconds of effort to be nice to those people, and I am very grateful for the kind words that people have taken the trouble to express to me in person.
I started out as a fashion photographer. One cannot say that I was successful but there was enough work to keep me busy. I collaborated with Harper's Bazaar and other magazines. I was constantly aware that those who hired me would have preferred to work with a star such as Avedon. But it didn't matter. I had work and I made a living. At the same time, I took my own photographs. Strangely enough, I knew exactly what I wanted and what I liked.
It was good, too, to remember how hard a lot of people had to work to keep a kingdom running well, and that it was simply good manners to let them know, from time to time, how valued they were.
The key thing for a CEO to keep their head in the game is recognize that there's turbulent times, plan for, you know, bad luck as well as good luck, keep people focused on what the key, you know, business wins are, and you know, provide the energy that people always need in order to, you know, to go into battle because, you know, work is hard and go into work and do that well. And provide a good leadership beacon for that. In other words, it's the same thing that makes good leadership in any other time.
When I look at my own career, growing up, I was doing really well at age 11, but it was kind of isolating because back then, people weren't hanging out with me. My mom was always there. She had my back and was like, 'You keep focused. You gotta keep focused.' And I think those kinds of lessons were hard.
Since I had children I have taken huge amounts of time off. In a way it's a really good thing, in this show business especially, to have lots of private time, having lots of time to be in the world to observe people and read and take care of my kids helps me to come back into work with a thrill.
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