A Quote by Nathan Myhrvold
If I say I've got two versions of Word - that old one from 1982 that's perfect, with zero defects; or the new one that's got all this cool new stuff, but there might be a few bugs in it - people always want the new one. But I wouldn't want them to operate a plane I was on with software that happened to be the latest greatest release!
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I live in New York and got a call from my agent saying there was this new role on 'Mad Men,' it might be recurring and they're seeing people tomorrow. I said, 'OK, this is one of those things where you hedge your bets, use your miles and get on a plane.' I flew out Tuesday morning and got the job on a Wednesday.
Early versions of Microsoft Word left a lot to be desired. However, to the company's credit, it quickly learned where Word fell short, made the necessary changes, and repeatedly introduced new versions of the software.
Women use lovers as they do cards; they play with them a while, and when they have got all they can by them, throw them away, call for new ones, and then perhaps lose by the new all they got by the old ones.
If you want God to do something new in you, you cannot keep doing the same old thing. You have to do something different. And if you do, God will create new capacities within you. There will be new gifts and new revelations. But you've got to pray the price. You'll get out of this what you put into it.
You know, you keep on innovating, you keep on making better stuff. And if you always want the latest and greatest, then you have to buy a new iPod at least once a year.
Sometimes people ask me to do stuff in New York, like "Can you read at this thing?" And I say, "Nooo, I can't just get on a plane with these two screaming children - I can't just get rid of them on such short notice and take vacation and fly over to New York."
When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?
IN THE WORLD OF advertising, every copywriter knows the power of two magic words: "Free!" and "New!" We see them in the supermarket, in the newspaper, on billboards. And consumers respond. In the church today, we are falling prey to the appeal of "New!" The old truths of the gospel don't seem spectacular enough. We're restless for the latest, greatest, newest teaching or technique. We pastors in particular seem to search for a shortcut or some dynamic new strategy that will fire up our churches.
I call it an old-fashioned seafood house for the new millennium. We are trying to update what we know as old fish houses and places like that, which are great, but I want to give it a new, fresh look with updated versions of the classics we all love.
I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.
I've been all over the world. I love New York, I love Paris, San Francisco, so many places. But there's no place like New Orleans. It's got the best food. It's got the best music. It's got the best people. It's got the most fun stuff to do.
I don't want to know what people are doing. Like, I don't need to know who's got a new music video and who's got a new lipstick.
America is fundamentally conservative. People want a strong national defense. They want low taxes. They want individual freedoms. There's no doubt that the Republican party has got to rebuild. We've got to restructure. We've got to let new leaders come to the fore. But at the end of the day, those fundamental core principles are the ones that have made the nation great, not just the party affecting them.
In an homage, you always want to subvert it and have fresh new takes. You don't want the audience to say, 'Oh they just did 'The Amityville Horror' there,' you always want to add something new.
Here you have 22 million Afro-Americans, black people today, catching more hell than Patrick Henry ever saw. And I'm here to tell you, in case you don't know it, that you got a new - you got a new generation of black people in this country, who don't care anything whatsoever about odds. They don't want to hear you old Uncle Tom handkerchief heads talking about the odds.
You've got different people that have different views of New Orleans. When you say 'New Orleans,' you have people who just think of the Neville Brothers. You've got people that think of Louis Armstrong. You say 'New Orleans,' and you've got people that think of Lil' Wayne.
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