A Quote by Nathaniel Hawthorne
She poured out the liquid music of her voice to quench the thirst of his spirit.
Related Quotes
She liked his tears so much that she put out her beautiful finger and let them run over it. Her voice was so low that at first he could not make out what she said. Then he made it out. She was saying that she thought she could get well again if children believed in fairies.
When her hands reached out and poured the tea, it was as if she also poured something into me while I sat there sweating in my cab. It was like she held a string and pulled on it just slightly to open me up. She got in, put a piece of herself inside me, and left again.
When she listened to songs that she loved on the radio, something stirred inside her. A liquid ache spread under her skin, and she walked out of the world like a witch.
If we wish to quench our thirst, we must lay aside books which explain thirst and take a drink.
It is terrible to die of thirst in the ocean. Do you have to salt your truth so heavily that it does not even-quench thirst any more?
Will you stay with me ” she asked. Her voice was the thinnest whisper almost canceled out by a low groan of thunder.... Forever ” he whispered back. The sweet sound of his voice filled her up.
... the spirit, I think, is a stream, a fountain, and must be continually poured out, for only if it is poured out will more and clearer streams come.
From when I first started listening to music, M. S. Subbulakshmi has been one of my biggest influences. She poured her heart and life into everything she sang.
She dropped her shyness like a nightgown, and in the liquid glare of sunlight on old boards she held up her hands-as if, in the terror of the upcoming skirmish, she had at last understood that she was beautiful. In her own way.
She laid her head against his collarbone, and he kissed her temple. To her shock, she felt a shudder roll through his body about the same time she registered wetness against her skin. Tears. His tears. She started to turn around, but he tightened his grip. “Stay,” he said in a choked voice. “Just let me hold you, baby. Just let me hold you.
A good wife is heaven's last, best gift to man, - his gem of many virtues, his casket of jewels; her voice is sweet music, her smiles his brightest day, her kiss the guardian of his innocence, her arms the pale of his safety.
How will it ever be bearable, Priestess?” His voice was rough. He sounded completely broken. “You’ll see her again. She’s with Nyx now. She’ll either wait for you in the Goddess’s meadow, or she’ll be reborn and her soul will find you again during this lifetime. You can bear it because you know that spirit never really ends-we never really end.
...she could express her soul with that voice, whenver I listened to her I felt my life meant more than mere biology...she could really hear, she understood structure and she could analyze exactly what it was about a piece of music that had to be rendered just so...she was a very emotional person, Annette. She brought that out in other people. After she died I don't think I ever really felt anything again.
While He [the Lord Jesus] was sitting alone by the well, 'There cometh a woman of Samaria to draw water' (John 4:7). As man, the Lord was thirsty, and saw that someone who was naturally thirsty was coming to quench her thirst. As God, however, He also saw that her heart was athirst for the water of salvation, although she did not know Him Who could give it to her. So He hastened to reveal Himself to her longing soul for, as it is written, He Himself longs for those who long for Him (cf. Ps. 9:10; Prov. 7:15).
All of a sudden I understand why I like Aliki Barnstones poems so much. They remind me of the one she has studied most - shall we call her her master - Emily Dickinson. Not in the forms, not, as such, in the music, and not in the references; but in that weird intimacy, that eerie closeness, that absolute confession of soul.... In Barnstone, too, the two worlds are intensely present, and the voice moves back and forth between them. She has the rare art of distance and closeness. It gives her her fine music, her wisdom, her form. She is a fine poet.
The one radio voice that I listened to above others belonged to Ella Fitzgerald. There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.
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