A Quote by Nathaniel Hawthorne

The only sensible ends of literature are, first, the pleasurable toil of writing; second, the gratification of one's family and friends; and lastly, the solid cash.
Let us consider what we call vicious luxury. No gratification, however sensual, can of itself be esteemed vicious. A gratification is only vicious when it engrosses all a man's expense, and leaves no ability for such acts of duty and generosity as are required by his situation and fortune. The same care and toil that raise a dish of peas at Christmas would give bread to a whole family during six months.
There is first the literature of knowledge, and secondly, the literature of power. The function of the first is--to teach; the function of the second is--to move, the first is a rudder, the second an oar or a sail. The first speaks to the mere discursive understanding; the second speaks ultimately, it may happen, to the higher understanding or reason, but always through affections of pleasure and sympathy.
First, the only certainty is that there is no certainty. Second, every decision, as a consequence, is a matter of weighing probabilities. Third, despite uncertainty we must decide and we must act. And lastly, we need to judge decisions not only on the results, but on how they were made.
The way to rock oneself back into writing is this. First gentle exercise in the air. Second the reading of good literature. It is a mistake to think that literature can be produced from the raw. One must get out of life...one must become externalised; very, very concentrated, all at one point, not having to draw upon the scattered parts of one's character, living in the brain.
All things have rest: why should we toil alone, We only toil, who are the first of things.
My family pleaded with me to forget literature and do something sensible, such as find some sort of useful work.
Second only to a viable approach to acting, the most important thing an actor can find is a creative family. To have a solid core group of people that you take that journey with together is invaluable.
I try to make a lot of time for friends and family because I think that's really important and for pleasurable experiences.
There is first the literature of KNOWLEDGE, and secondly, the literature of POWER. The function of the first is -- to teach; the function of the second is -- to move.
I say, If everybody in this house lives where it's God first, friends and family second and you third, we won't ever have an argument.
My friends are my second family. Sometimes friends can understand my problem but my family can't.
In literature, there are only oxen. The biggest ones are the geniuses-the ones who toil eighteen hours a day without tiring.
Delayed gratification is the one thing we ignore these days. And if you delay it, it becomes more pleasurable later in life.
My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.
It's more like I write multiple first drafts, handwritten. So with my first novel, I wrote whole drafts from different points of view. There are different versions of that novel in a drawer on loose-leaf sheets. I won't even look at the first draft while I'm writing the second, and I won't look at the second before writing the third.
Writing detective stories is about writing light literature, for entertainment. It isn't primarily a question of writing propaganda or classical literature.
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