A Quote by Nathaniel Rateliff

There isn't much of a music scene in Hermann, unless you like polka. But the landscape I grew up in is a part of me. I spent a lot of time in the woods doing a lot of nothing to break the boredom.
I can be a woodsman if need be. I grew up very close to some forest, and I spent a lot of my formative years up and down trees, fooling around in the woods. I'm no stranger to that sort of landscape.
I spent a lot of time growing up in Oregon after I left California. Spent a lot of time in the woods.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
I grew up in a Navy family, and like most service families, we traveled a lot and moved a lot. I grew up on both coasts and in the suburbs of Washington, D.C., in Rockville, Maryland, and have had a great time doing it.
My parents didn't really restrict my movement, so I got involved in the underground music scene and the activism scene; I was doing some volunteering in food relief. I spent a lot of time throughout the city in poor areas, even though my family lived in a wealthy area.
My mom spent like a decade of her life living in Paris, and I grew up listening to a lot of French music as well as Arabic music.
I grew up listening to a lot of emo music, a lot of rock music, a lot of rap music, a lot of trap music, funk, everything.
Washington - having spent a lot of time there, I grew up there and have spent a lot of time there recently - is largely defined by detailed analytical views and policy choices that are not very good. You know, each policy choice has a winner and a loser, right? Somebody's ox is getting gored.
Well, Mom and Dad are both actors, and I've spent a lot of time watching my mom on stage and a lot of time on set with my dad, so it was very much a part of my growing up.
Well, Mom and Dad are both actors, and Ive spent a lot of time watching my mom on stage and a lot of time on set with my dad, so it was very much a part of my growing up.
He's going to be around a long, long time, if his body holds up. That's always a concern with a lot of players because of how much they play. A lot of guys can't handle it. But it looks like Tiger Woods can.
I admire an actor that can do a lot with doing nothing really, for the most part. I like doing a lot by doing so little.
I grew up with the Woodstock generation. I went to Woodstock, and like everybody in my school, I wanted to be in a rock-and-roll band, and most of us were. But I also grew up with a lot of piano lessons and a lot of classical music training.
I believe that the greatest music is storytelling anyway, in a heightened medium. So I write a lot of music, and I play a lot with my guitar, I still sing a lot, but now I'm more personal about it than public, in a way. I think there will be a time where I'd like to bring the singing back into some of my performances. It all depends if the material's right, if the story's right, if it's my kind of taste in music, as well. It means so much to me. We all know how affective music can be, I just want to make sure when I do it, I'm doing it because I actually feel it and I care about it.
I like a lot of hardcore, but it's just a genre about which I don't have much to say. It's kind of a thing where, unless you're active in the hardcore community, what could you have to say of value about it? It resists criticism because it's not just a style but an entrance into several different worlds of ideas- political, philosophical, societal. The music is really only part of the whole scene. In that sense, the music doesn't change much because it shouldn't: It needs to be there as a signal that you're entering into a certain discursive mode, maybe.
I grew up doing theater and music, and in fact, I spent more time doing theater, and I'd do music when I could.
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