A Quote by Nathaniel Rateliff
Sometimes, I don't like making emotions your career; something about it is kind of gross. But, at the same time, I want to move people the same way the songs make me feel.
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I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.
I just try to keep busy. I find sometimes, when I put my emotions into records, I don't feel as depressed. It's so easy to get depressed. Sometimes it makes me feel better. Sometimes it makes me feel the same. But, the same squared. So, monumentally the same.
I've had such a tough time making weight at 155 all the time. I'd make the weight, but I don't feel like the same kind of Sage. My power in my punches, my explosion, my speed - it just doesn't feel the same.
Just because you are friends doesn't mean you like the same kind of men, want to live in the same type of house, and both want your steak cooked the same way! I often disagree with my friends, however I make every effort to be sensitive to their feelings and be supportive.
Throughout the Zelda series I've always tried to make players feel like they are in a kind of miniature garden. So, this time also, my challenge was how to make people feel comfortable and sometimes very scared at the same time. That is the big challenge.
As a writer, I'm always mindful that not everyone is going to feel the same way I do about something, so my emotions are just my emotions.
As a writer I'm always mindful that not everyone is going to feel the same way I do about something, so my emotions are just my emotions.
When I have an exhibition, I usually arrange it so that if people want to, they can spend two hours there. That way, people who like it don't feel cheated when they go. I want them to walk into the exhibition space and look low and at other levels and angles. The same with emotions. I want them to be emotionally manipulated, to come out feeling something. I want them to laugh, smile, feel sad. Even if they feel angry, that's okay.
I just want people to feel the emotion that's in the record. For me it's very raw and beautiful, I guess it's kind of like a diary for me. I'd love for people to be able to listen to it and it make them dance and cry and the same time.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
It's always hard when you make a movie that's fundamentally about kids for adults. How do you make people aware of who the adult cast is without making them feel that the adults are the center of it? You don't want to make it misleading, but at the same time you want to make it appealing.
If you experience that feeling of being in a rut in your life, then something's not right. A lot of people who feel that way don't take the time to say, 'O.K., well, what am I doing? Is that what I want to be doing? What is it making me feel this way?' You have to identify what specifically is making you feel stuck.
We shall never meet, but there is something I want you to know. My time is not the same as your time. Our times are not the same. And do you know what that means? That means that time does not exist. Do you want me to repeat that? There is no time. There is a life and a death. There are people and animals. Our thoughts exist. And the world. The universe, too. But there is no time. You might as well take it easy. Do you feel better now? I feel better. This is going to work out. Have a nice day.
It's very good for you, riding. You know how every model is like, 'I do yoga.' Well, I find horses to have the same effect, in that you have to put your ego aside and concentrate on making the horse do the things you want it to do, and move in the way you want it to move - particularly if you're doing dressage.
You make a record like 'Jump,' people are stuck in that world. They want you to keep making records like 'Jump.' People don't understand that you got to move on; you got to do something else. You have to evolve and go to something else. And most of the time, when it's time for you to move, other people are not prepared for that move.
Me and Skepta, we're kind of from the same world but have totally different-sounding albums. That's why I get funny sometimes when people say I'm a grime artist. Not in a negative way, but I don't feel it's a true representation of the music I'm making.
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