A Quote by Nathaniel Rateliff
I first moved to Denver to work with a group called YWAM, 'Youth With a Mission.' I was a kid - I was 18 - and did some work with homeless people. Really, trying to convert people is sort of an awful position to find yourself in, so I quickly, on my own, grew out of religious ideas.
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I moved to L.A., and people said that I would never find work, that I would never find good friends, and I feel like I was fortunate enough to find the work, but it wouldn't mean anything unless I had a group of people who could appreciate it.
[Great scientists] are men of bold ideas, but highly critical of their own ideas: they try to find whether their ideas are right by trying first to find whether they are not perhaps wrong. They work with bold conjectures and severe attempts at refuting their own conjectures.
I did some rescue work for Hurricane Katrina victims with a group of rescue people called Best Friends Society, who have a show on Discovery now called 'Dogtown.'
I have been able to find out what I really really want to do myself, trying out ideas that I haven't been able to do before because you don't have to compromise when you work by yourself.
I really liked Quentin Blake, who did all of Roald Dahl's stuff. I don't think I really got Quentin Blake as a kid, but as I grew older, I really appreciated the kind of knowledge and the skill that went into those seemingly effortless drawings, and I really wanted to capture some of that in my own work.
For me, I grew up in a house doing charity work for homeless people, and my parents had a lot of homeless friends. We were always taught to not discriminate and not judge.
...I knew I wanted to be permanently self-supporting and I vaguely thought I might work somewhere in the realm of ideas. I felt that I had within me an undeveloped fount of ideas. I did not know exactly what my ideas were, but whatever they were I wanted to convert people to them.
The initial organisation, we called ourselves the Network Working Group, consisted of 6 to 10 people. We then quickly grew to 30 people and then to 50 people.
When I was out of work when I first moved to L.A., one of the first things my husband and I did was buy season's passes to Disney and whenever I was bummed out about work, we would go to Space Mountain, and it was like a physical injection of anti-depressants.
When I was out of work when I first moved to L.A., one of the first things my husband and I did was buy season's passes to Disney, and whenever I was bummed out about work, we would go to Space Mountain, and it was like a physical injection of anti-depressants.
Most people respond to my paintings quite generously, but there have been cases where I think people - a few critics in particular - were actually moved by the work but were disturbed by the feelings it evoked, so they attacked it. Some people find the realm of my work quite uncomfortable.
I went to church as a kid, but it was as much a social thing as anything going to the youth group with the other kids and whatnot. It wasn't until I got out of college that I got on my own religious trip and started finding other things out there as well as philosophies. I've kinda been on my own spiritual path since then.
As with many metaphysical and religious questions, Kant thinks they lie beyond our power to answer them. If you can't stand the frustration involved in accepting this, and insist on finding some more stable position which affords you peace of mind and intellectual self-complacency, then you will find Kant's position "problematic" in the sense that you can't bring yourself to accept it. You may try to kid yourself into accepting either some naturalistic deflationary answer to the problem or some dishonest supernaturalist answer.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
I feel like I'm changing as a human being, and I think that the work needed to be in line with where I'm at. When I was younger and I was making political work, I was trying to figure out where my work fit in because when you're young you're like, "I don't know." I'm Latino, I grew up in Mexico, and so I thought that maybe I had to talk about those things. Then finally I didn't need my identity to rely on anymore. So now the work is becoming about more esoteric things, I guess - my own sort of language.
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