A Quote by Nathaniel Rich

Criticism always seemed to me a lot like police work. You look for clues, fingerprints, motives. You need to construct an airtight case. — © Nathaniel Rich
Criticism always seemed to me a lot like police work. You look for clues, fingerprints, motives. You need to construct an airtight case.
In general, we as police officers - at least the good police officers - like to look at each situation case by case and always pay close attention to the spirit of the law rather than the letter of the law.
I don't pick up people. This is the work of the police. If there's anybody with a case, it's the police, not me.
We need to demilitarize local police departments so that they do not look like occupying armies. We want police departments that look like the communities they are serving.
We writers, as we work our way deeper into our craft, learn to drop more and more personal clues. Like burglars who secretly wish to be caught, we leave our fingerprints on broken locks, our voiceprints in bugged rooms, our footprints in the wet concrete.
There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
Well, the clues are there. They always are. Which is why when crimes are solved decades after the fact, it's obvious that the clues had always been right in front of them. A traffic ticket in Brooklyn is how they got ["Son of Sam" serial killer] David Berkowitz. You've just got to look.
I was always taught that no matter where you are, you leave your fingerprints on that city and an impression on children and parents. That's what kind of drives me, to see the kids look up to you and want to be like you - just be something special.
I think we all look for clues that we are not utterly alone... Clues we find in literature and paintings and music and even someone’s eyes; clues that demonstrate that someone else has felt the same indescribable feelings, seen the same things or passed by the spot even if it was by candlelight three hundred years ago. It means everything, like finding footprints in the sand of a deserted island.
I always loved the look of musicians. I've always admired them because they have a look - when I was growing up, it seemed that the ones I liked didn't need to have a stylist.
I always look at myself as kind of a work in progress. I hope that's not always the case. But for me, every film is a learning experience.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
I really like how the sixth book is going. A lot happens in the sixth book and a lot of questions are answered. I really have a sense that we are nearly there and it is time for answers, not more questions and clues, although obviously there are a few clues as I am not quite finished yet.
Jorge Masvidal is a star. That wasn't always the case. Hardcore fans always knew how good he was, but it always seemed like he would fall short in the big one.
Everything is mediated. Everything is influenced by its maker. And happily, right? I'm so happy everyone leaves fingerprints on things whether they like it or not. Fingerprints solve crimes. They're profound. They're your best and worst friend and you were born with them and you can't get away from them without a lot of pain and sandpaper.
That's part of this industry. It's hard a lot of the time, especially when you get knocked down a lot. There's a lot of criticism and it's always in the back of your mind that you may never work again.
A lot of the appeal of internal medicine is Sherlockian—solving the case from the clues. We are detectives; we revel in the process of figuring it all out. It’s what doctors most love to do.
This site uses cookies to ensure you get the best experience. More info...
Got it!