A Quote by Nathaniel Rich

I studied literature and Italian at Yale. I wrote my thesis about Italo Svevo, one of my heroes. — © Nathaniel Rich
I studied literature and Italian at Yale. I wrote my thesis about Italo Svevo, one of my heroes.
I first studied the effect of plants on humans for my Yale thesis... and it was a 185-page thesis, and luckily I got honors on it.
I studied voice at Yale with Blake Stern from the music school, and he had me singing German lieder and Italian songs.
What I loved about wrestling was just being foolish, so I studied clown. I studied clown. I studied the art of clown. I actually did my thesis on clown.
I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
At Princeton I wrote my junior paper on Virginia Woolf, and for my senior thesis I wrote on Samuel Beckett. I wrote some about "Between the Acts" and "Mrs. Dalloway'' but mostly about "To the Lighthouse." With Beckett I focused, perversely, on his novels, "Molloy," "Malone Dies," and "The Unnamable." That's when I decided I should never write again.
The best novelist of my generation is an Italian living in Paris, still working and improving - Italo Calvino.
In graduate school, I decide to write my doctoral thesis on how Italian architecture influenced English playwrights of the seventeenth century. I wonder why certain playwrights decided to set their tragedies, written in English, in Italian palaces.
[Larry Kramer] even wrote this angry letter to the president of Yale, and in it he said what he said to us, that he was so disappointed in his straight friends because of AIDS and everything. He wrote the letter around March. And in it he wrote, "I usually go to the Trillins for Christmas, but I just couldn't do it this year."
Yale men do not like to be told anything by people who didn't go to Yale. The closest I came to Yale was once I had one of their padlocks.
Boileau said that Kings, Gods and Heroes only were fit subjects for literature. The writer can only write about what he admires. Present-day kings aren't very inspiring, the gods are on a vacation and about the only heroes left are the scientists and the poor.
Then I studied theology in college, and when I was getting a Ph.D. in literature, I took courses in New Testament studies and studied Greek versions of the Gospels.
I studied Shakespeare in college, but not theatrically, more in terms of literature, and then I kind of took a break from it. Now there's resurgence in my appreciation for him. It's amazing: there are so many book titles and song titles that come just from lines that he wrote.
One of the goals of philosophy is wage theoretical battle. That is why we can say that every thesis is always, by its very nature, an antithesis. A thesis is only ever put forward in opposition to another thesis, or in defence of a new one.
One thing I learned particularly at Yale was how to work with others. Having studied so long trying to master myself, the biggest challenge was learning about the other person's work.
I entered Yale in the fall of 1951, and about November of that year, Bill Buckley published 'God and Man at Yale.'
Literature has always been a part of my life. I studied history and literature in college. My mother is a novelist; I grew up around books.
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