A Quote by Natsuo Kirino
For research, I like to go to the location of the places in the novels. The first thing that I do is involve my senses: I notice the smells; I open the trash cans and look at what people have thrown away.
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Oh, it's just a trash can. Chill out." (Marco) BAM! BAM! BAM! "Okay, so it's four trash cans," (Marco) " BAM! BAM! BAM! "Do you hate trash cans? Is that your problem? Do you just HATE TRASH CANS?!!" (Jake)
So, Magellan, where are we going? (Danger) Away. I’m open to any location, so long as it doesn’t involve returning to your house while Wart-Head is there.
Love blurs your vision; but after it recedes, you can see more clearly than ever. It's like the tide going out, revealing whatever's been thrown away and sunk: broken bottles, old gloves, rusting pop cans, nibbled fishbodies, bones. This is the kind of thing you see if you sit in the darkness with open eyes, not knowing the future.
Sometimes it works out well, and certain household responsibilities fall naturally to those who like doing them. For example, my wife likes to pack suitcases, I like to unpack them. My wife likes to buy groceries, I like to put them away. I do. I like the handling and discovering, and the location assignments. Cans - over there. Fruit - over there. Bananas - not so fast. You go over here. When you learn not to go bad so quickly, then you can stay with the rest of your friends.
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.
I have read - nay, I have bought! - Carlyle's 'Latter Day Pamphlets,' and look on my eight shillings as very much thrown away. To me it appears that the grain of sense is so smothered up in a sack of the sheerest trash, that the former is valueless....I look on him as a man who was always in danger of going mad in literature and who has now done so.
I, over the years, have always felt more comfortable if I could go into a projection room and look at a film and not really know what to expect. If you read the script first, you form all kinds of preconceptions about how things look, what the location's like, what the actors are like.
The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.
Exploration, of course, is going to new places, but I don't think we go to new places just solely to say: "Well, we've been there," and come back, interesting though it may be. To me, each time we go farther into space we should use that to do basic research - basic research that can't be done before you go there.
I've been told by people who write historical novels that you just sort of write the emotional truth first, the story at the core, and then you go back and research it at the end.
When we do work in places like China and Vietnam, research tends to be really effective as a way of getting change, whereas in more open places, mobilization and the creation of public pressure through the media often seem to be the things we try.
Because I don’t feel broken when you look at me. (Acheron) How could you feel broken? (Tory) I was shattered as a child and thrown away, like a piece of trash no on wanted. But you don’t treat me like that. You see in me the human bit and you touch that part of me. You make me feel whole and wanted. (Acheron)
Some places, because of their spiritual history, are noted to be locations where people will often experience an open heaven. In fact, there are places where the heavens are open more than in other places. Most of you are familiar with previous moves of God in places such as Toronto (The Toronto Blessing), the meetings in Pensacola, and Argentina, just to name a few. Just like in Jacob's day, today, there are certain places where heaven is open, geographical locations where you are more likely to have an encounter with God.
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.
The feeling between two fighters is profound. We go places where normal people don't go. You smell a man's blood, it smells like rust. You get into a clench, you feel his strength, you feel his desperation, he feels yours. You're sharing this.
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