It had a language. It's a very emotional language that only exists in India, that part of [inaudible] so we wanted to use that. I had two versions - one with my voice and one with the girl's voice. But he preferred the girl's voice and he preferred my voice with an [inaudible].
Jack believed in something—he believed in white witches and sleighs pulled by wolves, and in the world the trees obscured. He believed that there were better things in the woods. He believed in palaces of ice and hearts to match. Hazel had, too. Hazel had believed in woodsmen and magic shoes and swanskins and the easy magic of a compass. She had believed that because someone needing saving they were savable. She had believed in these things, but not anymore. And this is why she had to rescue Jack, even though he might not hear what she had to tell him.
I grew up in Harare, Zimbabwe. And I had a pretty idyllic childhood. I felt that I was kind of this outspoken girl, I was considered. I was a girl who talked a lot and didn't think my voice had any less value than anyone around me. Apparently, that was strange.
Nowadays, people in the entertainment industry can have a louder voice than politicians, and I think it's important that they use that voice to say something positive or to give a voice to somebody that's had theirs taken away.
Nowadays, people in the entertainment industry can have a louder voice than politicians, and I think its important that they use that voice to say something positive or to give a voice to somebody thats had theirs taken away.
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
I went through some tough times because if you're used to having a voice in contemporary culture and all of sudden, you don't have that voice, you don't have that outlet. I didn't appreciate that. I didn't understand how important that was to me. And all of a sudden, after investing all this time and energy, I had no identity. I didn't know who I was. I didn't know what I had to say. I didn't have a way to say it. It was very painful.
I'm not a girl to wear a lot of bright color, but including a touch of color can pull an outfit together. I'm from New York and wear a lot of black, and color is refreshing.
When I use color, people say, "Oh he's Indian, that's why he's using color!" Perhaps this is true, Indians aren't scared of color, and perhaps that's what makes me different. But also, I personally love color, regardless of where I come from.
I'm very proud of 'Every Girl's a Super Girl.' I want all girls to know that no matter what size, color, or shape, whatever they are, that every girl is a super girl! They should be brave, confident, and have fun and enjoy every day!
In the forties, to get a girl you had to be a GI or a jock. In the fifties, to get a girl you had to be Jewish. In the sixties, to get a girl you had to be black. In the seventies, to get a girl you've got to be a girl.
He and the girl had almost nothing to say to each other. One thing he did say was, 'I ain't got any tattoo on my back.' 'What you got on it?' the girl said. 'My shirt,' Parker said. 'Haw.' 'Haw, haw,' the girl said politely.
I listened wide-eyed, stupid. Glowing by her voice in the dim light. If chocolate was a sound, it would've been Constantine's voice singing. If singing was a color, it would've been the color of that chocolate.
When I was a girl I had this strong feeling that I didn't belong anywhere,... It was in my head, what I thought and dreamt, what I believed..., that's where I belonged, that was my country.
I'm just concerned that if I get older, people aren't going to enjoy me as much as when I was younger, because I had a great voice for a little girl, but I mean, my voice can't get any bigger when I'm older.
The thing that you have to understand about those of us in the Black Muslim movement was that all of us believed 100 percent in the divinity of Elijah Muhammad. We believed in him. We actually believed that God, in Detroit by the way, that God had taught him and all of that. I always believed that he believed in himself. And I was shocked when I found out that he himself didn't believe it.