A Quote by Naveen Andrews
I was always in trouble from an early age. I had a fraught relationship with my parents, who were very traditional. Doing plays at school was a joyous release.
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I loved doing school musicals [as a kid], I even started at an early age to write little plays for the school to perform. I was not just keen on that, it was during that time, during the school period then from an early age, that I began to dream about acting.
I had a very nice life. I was a very good kid. I had nice friends. I played in the school yard. I was nice to my parents; they were nice to me. They were loving parents - they were always there.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
I guess I have sort of an atypical relationship with my mom for someone my age, because I think I started so young with the music thing and I had my parents always on the road with me. So at a time when I think I should have been rebelling, like in high school, they were actually my best friends.
I guess I have sort of an atypical relationship with my mom for someone my age, because I think I started so young with the music thing and I had my parents always on the road with me. So at a time when I think I should have been rebelling like in high school, they were actually my best friends.
I did school plays, and then, at the age of 18, I applied to drama school in London, and I got in. I've been very lucky that no one so far has stopped me from being able to live my dream - the industry or my parents.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
I mean I was very shy but I was also very extroverted because I was doing plays. I'd been doing plays since I was a little kid. But, I did feel like an outsider because I went to like a 'college-prep' kind of high school that had a really big football team and was known for its program so I was like this weird boy that did plays.
My parents were educated in the Turkish system and went straight from high school to medical school; my mom, who had skipped a grade, was dissecting corpses at age seventeen. Growing up in America, I think I envied my parents' education. By comparison, everything I did in school seemed so sort of low-stakes and infantilizing.
I'm told I was acting in school plays when I was a tiny little boy at the age of three, so they must have seen something then. And even when I was practicing piano eight hours a day, I was still doing school plays.
I always messed around with makeup. From a very early age, my mom would let me play with hers, and my grandma, and my aunts and stuff were always like, 'Let me put lipstick on her!' that they'd have in their purse. But I think just from a very young age I've had fun with makeup.
I had been doing all my school plays, elementary school, middle school, and high school, and then summer. I'd wanted to act for a long time, and I thought I was going to go to college and do theater, go that route. But 'Superbad' kind of fell on my lap. I was very, very lucky for that.
As early as I can remember, I would put on plays with my cousin and make my dad record them. In kindergarten, I started doing the school plays, and it just continued.
I watched my parents. My dad worked nights, and I was aware of how much he was doing for us. My mom was a Tupperware lady and also worked at the school. I always felt that I couldn't let them down. And I had a natural discipline from early on. I was always training for something.
I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
A lot of the best acting training I had was in junior high and high school. We had very demanding directors and did real plays. You put our plays up against any theater troupe of any age, and they usually did pretty damn well.
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