A Quote by Naveen Tewari
For a company to be successful, it's not just about ideas. It's also about luck. And everything else coming together.
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A successful relationship is not about two people staring into each other's eyes, it's about two people looking ahead together. I think in order to construct, it's not just, "you do this, then I'll do this." It's more like, "let's work on these ideas together, and just move together, with these ideas." It does create a balance.
Puja brings lots of things together and it isn't just about the religious aspect. Blessings from elders, family-bonding, togetherness... it's about all that. It's also about colors, grandeur and people coming together.
I went to business school so what they teach you in business school was that success is about positioning yourself to get lucky. It's not just about how hard you work. It is also about a little bit of luck. To position yourself to catch the luck when it comes.
Spaces of liberation are, in a certain way, some kind of social spaces where people can not only get together and think about something else, but also act together. If you are thinking about an elemental solidarity, you are thinking about people acting together and taking decisions together, and thereby beginning to think about what sort of society they want to create. So, there is a need for liberated spaces; that is really difficult.
Being a successful team is maybe not enough. It's about setting a standard, not just for ourselves but also for the youth that is coming through at Manchester City.
Luck? I don't know anything about luck. I've never banked on it and I'm afraid of people who do. Luck to me is something else: Hard work - and realizing what is opportunity and what isn't.
I love silence. And one of the paradoxes about the way I live and also about my work is that definitely one of the reasons I went into music, and especially into composing is that I love setting up an environment where I can be by myself for long periods of time and have everything as quiet as possible, either to think about sound, or to think about ideas, or just to focus on things that are important to me.
Building a successful company (or living a happy life, for that matter) is not about embracing someone else's philosophy, but staying true to your own beliefs about the world and learning from the mistakes you make along the way.
I probably have traveled and walked into more variety stores than anybody in America. I am just trying to get ideas, any kind of ideas that will help our company. Most of us don't invent ideas. We take the best ideas from someone else.
Ideas matter in New York. I am certain that more conversations in New York are about ideas than anywhere else. Not just vague theories, but ideas that New Yorkers have the will, and the clout, to do something about.
Some of my songs are about the feeling you belong somewhere else. But there's also something grounding about coming from a small town.
When entrepreneurs talk about their success, they rarely talk about luck. I think that's because most of them think the concept denigrates the hard work and smart thinking they put into their projects. But luck is a huge part of any successful business.
It's not about having luck; it's about putting yourself in a position of luck. Meaning, get into a situation where you are with like-minded people who are just as passionate about something as you are, and then work really, really hard.
Everything about it worked, and I don't mean just the movie, but in our experience, we realized there's also a component of luck involved in this business. We had absolutely the most competent people in the studio working on the release and ad campaign.
I started getting really curious about art. I read about the Dadaists and the Futurists and the Constructivists - those kind of movements which were reflecting the angst of the people of their times. Their work was trying to lead a movement. I began thinking about what was happening, with painting on the streets and painting on the trains as being similar but also coming from a real, pure space. It wasn't being created by academies. It was a spontaneous combustion of ideas that just happened.
But what I think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.
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