A Quote by Navya Nair

Winning a State film award for 'Nandanam' had me sit up and realise that cinema was my bread and butter and that I had to be sincere to my work. — © Navya Nair
Winning a State film award for 'Nandanam' had me sit up and realise that cinema was my bread and butter and that I had to be sincere to my work.
When I think about my MVP season, I will also think about the loss to Golden State. But winning the award as Most Valuable Player of the NBA is just a huge honour. I didn't really realise how big it was until Mark Cuban had tears in his eyes at the award ceremony.
Soon after 'Paruthiveeran' I was flooded with scripts that were almost the same as the award-winning film. I had offers from Malyalam, Telugu and Kannada filmmakers. But I had to be firm and in fact I realized that now I had to be more careful with my choice of films because I have raised the audience expectations.
I had to make a living. I had the mortgage to pay, I had the school fees to pay. I had bread and butter to put on the table. You know your worth as an actor, but you have to get a job.
When I think about my MVP season, I will also think about the loss to Golden State. But winning the award as Most Valuable Player of the NBA is just a huge honor. I didn't really realize how big it was until Mark Cuban had tears in his eyes at the award ceremony.
Winning the Pulitzer is a really mellow, fabulous thing. You don't sit and wait for them to open an envelope. You already know you won, and you have a nice lunch. Oscars are more stressful. I had to sit for three hours and wait for my category. I had to fly to Los Angeles. For the Pulitzer I just had to go up to Columbia. But, while the president of Columbia gave me the Pulitzer, Audrey Hepburn and Gregory Peck gave me the Oscar, so that was better.
I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.
I refused to be filmed getting off a bus twice. The director said, 'I'm an award-winning director. Please do it', and I said, 'I never thought I'd say this, but I'm an award-winning actress with a bad leg, and if your film depends on seeing me get in and out of a bus, we're in trouble.'
Winning an award is a great feeling but winning the Vodafone Crossword Popular Choice Award is particularly exhilarating because it is based upon public voting. I find it a strange quirk of fate that Chanakya's Chant, a political tale, should end up winning an election!
I never thought I was particularly good looking. But when I see old photographs, I realise that I was. I do wish I had known that at the time because beauty is power. I didn't realise how lucky I was to be young, beautiful and in Hollywood. It didn't hit me. Every day I woke up, went to the film studio and just got on with it.
If any of you wish to know how to have your bread fall butter side up, butter it on both sides, and then it will fall butter side up.
My bread and butter is rom-com, and if I had to go back and tell my 15-year-old self watching 'When Harry Met Sally' that one day I would be writing a film in the same genre, I would have freaked out.
When I went to the cinema as a boy, when I saw a war film, I thought the general was the star, and that Cary Grant was an extra. I had no idea about the structure of film, but I loved going to the cinema.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
The generation that had information, but no context. Butter, but no bread. Craving, but no longing.
My work is my bread and butter and my husband is very supportive; he would love me to do more work.
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