A Quote by Navya Nair
After the release of movies like 'Chidambarathil Oru Appasamy' and 'Amirtham,' I was branded as an actress who can do only homely roles.
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Unfortunately, I was branded as a glamour actress and was forced to do only glamour roles.
After watching movies like Sajeev Pazhoor's 'Thondimuthalum Driksakshiyum' and G Prajith's 'Oru Vadakkan Selfie,' I had wished to be part of such films.
I know, I pick up the roles other actresses don’t want [laughs]. When there’s movies where there are two sisters and one’s the uglier sister, there’s always no actress that wants to go for it. I’m like, why not! They’re the best roles!
India Pakistan' will be on the lines of 'Oru Kal Oru Kannadi' and 'Kalakalappu.'
When I started, I was a theater actress, and there were roles that I couldn't imagine not playing, like Rosalind in 'As You Like It.' I used to think I would die if I could play that. But then I started doing movies, and I had children, and I moved to Los Angeles. And now I kind of can't remember what those roles would be.
After 'Dor,' viewers showed the confidence that I could play serious roles too and so I was offered roles in films like 'Eight By Ten' and 'Wanted' and many other big movies.
No doubt an actress has to do varied roles. But I don't want myself to be typecast as an actress who can only do off-beat ventures.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
After the release of 'Ashta Chemm,' several producers and directors came with similar roles in their films. But I doesn't want to do stereo type roles and do something different for each film, and refused them.
I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.
I only take up roles that really appeal to me, and like to break the rules as an actress.
We're in crisis mode as black actresses. It's not only in the sheer number of roles that are offered and that are out there, but the quality of the roles. The quality - and therein lies the problem. We're in deprivation mode because me, Alfre and Phylicia, we're in the same category. Whereas if you take a Caucasian actress, you have the one who are the teens, in their 20s, 30s, 40s, 50s - they're all different. There are roles for each of them. But you only have two or three categories for black actresses.
I decided to be an actress, and the day after, I was an actress. That was quick and very scary at the same time. When 'Obscure Object of Desire' came out in France, I felt guilty for my friends at the National School who weren't in the movies. The whole thing was turmoil.
For the movie 'Bhaskar Oru Rascal' I had to let go of a part of my agreed salary and in fact, had to lend money to the producer when he couldn't meet his financial obligations at the time of the movie's release.
Yes, you want to do studio movies, but I also want to grow as an actor, and an actress like me is not going to get roles where you grow and evolve in a studio film. It's just not gonna happen.
My real passion is to make movies, to direct. It's good for my ego to be an actress. It's like someone is saying, 'Yes, you're beautiful! Yes, you're doing fine!' But I feel like a child when I'm an actress.
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