A Quote by Nawazuddin Siddiqui

I was introduced to cinema by C-grade films that played in my village, Budhana, in UP. Only films by Dada Kondke, Mahendra Sandhu, and Kanti Shah were available. — © Nawazuddin Siddiqui
I was introduced to cinema by C-grade films that played in my village, Budhana, in UP. Only films by Dada Kondke, Mahendra Sandhu, and Kanti Shah were available.
The second-grade films - where are they? No more are they made, and yet they were by far the best films for holding hands at, and wasn't this always the main purpose of the cinema?
It is good that people are experimenting with cinema. They are trying to do serious and soulful cinema but such films don't stay in theatres for over a week. People ultimately go and watch Salman, Shah Rukh and Amir Khan films.
I had no patience for films. It was only after I met Shah Rukh that I learnt to enjoy his passion for cinema.
My production company wasn't doing well, so we were not producing films. Over a period of time, we have realized that we are going to produce our own films and make cinema that we like. We've got so much in-house talent, and my kids are going to be coming, so we all decided that we are going to be in films and cinema.
The third line of cinema today is neither art nor commercial but categorized as good and bad cinema. I think two films - 'Main, Meri patni aur Who' and 'Main Madhuri Dixit Banna Chahti Hoon' were the base films for this new line of cinema.
I'm a big fan of silent cinema and I think that before I got into the canon of European arthouse cinema, the first interesting films I liked as a kid were German expressionist silent films.
I have grown up watching Bollywood films, watching Shah Rukh Khan's films. I am happy that I worked with him.
I was inspired by Maya Deren because she was the first woman filmmaker whose films I saw. I also loved Fellini and Goddard because they were so different from Hollywood films. But when I saw the cinema verite films that were made by Drew Associates with Leacock and Pennebaker I found my passion.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
I don't think Bollywood is only mindless cinema, but a lot of films they churn out are not films that I completely enjoy watching.
Nagpur was a very small town. There was no exposure to different kinds of films or world cinema. Only Manmohan Desai films.
In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.
Even as a teenager, my sensibility was different because my parents introduced me to some amazing films. I grew up watching films like 'Kabuliwala,' 'Casablanca,' and 'Mandi.'
Well, I think by and large, certainly in terms of cinema, American culture dominates our cinema, mainly in the films that are shown in the multiplexes but also in the way that it has a magnetic effect on British films.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
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