A Quote by Nawazuddin Siddiqui

I don't want my work to be heavy. The challenge is to make it interesting and engaging, keeping in mind the need for method acting. This is what I have learnt from Bharat Muni's 'Natya Shastra' and from the Russian theatre legend Stanislavsky.
I've studied Stanislavsky, and Mamet taught Stanislavsky, and I studied with Sanford Meisner. But the part of the method that I think is the most fruitful is the method of physical actions. It all comes down to your objective: Nothing else counts except what you want. How you feel will take care of itself.
Most American actors are taught the Stanislavsky method... Method acting, but I really think that as an actor you have to develop what works for you. There is really not one way of doing anything. There are many ways of achieving the same goal.
I was initiated into acting with college plays, enacted by our amateur theatre group, Natya Aradhna, in Sholapur.
Can you explore real issues as a fake character? Yes - it's called acting. Or fiction. But acting is not a method of engaging with the actual world, just as pretending to know what a character might eat does not a novel make - much less make that make-believe real.
Besides acting, I had learnt a lot about entertainment at the Bhartendu Natya Academy, Lucknow and the National School of Drama, Delhi, which I had not been able to put to use. That inspired me to take up direction.
I've learnt that there's acting for film, acting for theatre, and acting for an audition.
I have taken film-work that has been a little more cliché-written, to support myself and my family, and that's a whole kind of other challenge. It's like chopping wood: You've got to take what you can get and bless what withstands you. But in theatre! There's enough great theatre that you can find something interesting!
I want to keep doing interesting work with interesting people in whatever form that may take, but I want to play the big parts of classical theatre; I want to go on stage and play great Shakespearean roles and, at the same time, do amazing, challenging indie films and comedy, and I want to do it all. I am greedy.
It was the challenge of that that I found daunting, but also engaging and interesting [to play Maigret].
I learnt a thing or two about acting from theatre actor Robin Das who is from Odisha.
What I believe will make my acting career successful going forward is hard work. I like to challenge myself. Then it's the people I meet and choosing the projects I want to work on correctly. There's a lot of characters I can play.
I come from the mind-set that, if you want it to work, it will work, whether it's a friendship or a relationship. If you're both in the same mind-set and you want to be together and you want to make it work, you can make it work. It just takes dedication and knowing that there might be some miscommunication and lack of communication sometimes.
Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.
I've always done method acting. I'm a method actor, and I've done that for years. I never did acting and decided to take it seriously because all the parts people want me to do were playing the pretty role. If I want to play someone pretty, I'll play myself.
When people see a legend, they call it a legend. But to be a legend, it's a lot of hard work and patience. You can't play for five or ten years and be a legend. It takes longer than that.
In terms of legend, people do have a need, but I think you can't have a legend without the work or the art that comes before it.
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