A Quote by Nawazuddin Siddiqui

It's very difficult switching over from one character to another. — © Nawazuddin Siddiqui
It's very difficult switching over from one character to another.
When I first started writing, I had a very difficult time switching between projects, but now it's not only second-nature, it's indispensable: If I stall on one project, I can switch to another and stay productive.
Well, it has done terrifying things. Religious ideas are inflammatory in a way that I find difficult to understand. There are very few wars over the theory of relativity. Very few heated arguments, for that matter. Whereas, in Northern Ireland, they are killing one another over religion.
Over the years I've learned that, to be a good manager, you need to have passion, and you need to have a strong character. Without those things, the job is very, very difficult.
I don't shoot two films at the same time. I finish one character and get into another character because I change my look for every film. It's difficult, but I enjoy doing that.
It is fairly easy to grasp abstract moral principles; it can be very difficult to apply them to a given situation, particularly when it involves the moral character of another person.
I think it's very difficult to make any single, generalized statements about the press, of course the press is such varied character and quality and to the different media and so on, so a generalization is very difficult.
What I do is give Ennio Morricone suggestions and describe to him my characters, and then, quite often, he'll possibly write five themes for one character. And five themes for another. And then I'll take one piece of one of them and put it with a piece of another one for that character or take another theme from another character and move it into this character.... And when I have my characters finally dressed, then he composes.
It's very rewarding to see the movie, and it's very rewarding to make the movie, but playing the character [Riddick] is sometimes a lot more difficult than other characters because it takes so much preparation to get into that character.
I'm quite good at switching off and sometimes I forget who I am in a character.
We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
I think Wonder Woman is a very difficult character to crack. More difficult than Superman, who is also more difficult than Batman. Also, a lot of people in Hollywood believe that it's hard to do a big action movie with a female lead. I happen to disagree with that.
Superman is the hardest character to draw. There are a couple of things that make him difficult. He's got a very simple costume and doesn't have the long cape like Batman. He's not a character that is necessarily always in shadow, and he doesn't have a mask.
I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
I love character actors. If I'm switching channels, and something with Slim Pickens is on, or Walter Brennan, I'm stuck. I have to watch it.
Most of the artists I know are crazy in one way or another. I think that's why you get into it. You're in pursuit of a certain sort of peace that's very, very, very difficult to come by.
It was very difficult acting. I feel it is a very tough job to portray someone else's character and to behave like that on screen.
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