A Quote by Nawazuddin Siddiqui

Most people go to ashrams or retreats to destress and rejuvenate themselves. But I come back to my roots, the place where I spent half my life. And when I return, I spend time in the farms, eating a stalk of sugarcane, driving a tractor, and chilling with childhood friends.
There are times when one's life appears to be a stage. People come, people go. They come in order to go, and go with no intent of return. When they return, they return as one's past. A past that would make you feel that the present is false.
My evenings are usually spent eating cake with tea, which I should stop. Then I either hang with friends or watch something. I like my evenings free because that is when I get to spend time with myself, my dogs or with friends.
In high school I spent most of my time in jeans and T-shirts or Juicy sweats. We're such a laid-back town. I mean, people wore bikinis under their clothes half the time, so you didn't really get dressed up to go to school.
Speeding is like drugs. It makes everything come at you fast, and when you go back to normal driving, safe driving, prudent driving, it seems boring. That's the danger of drugs. At first it's intoxicating, but then the rest of your life you're trying to find that very first time. It never is the same.
Shanghai, the city where I was born and spent my first four and a half years. It's not necessarily the most pleasant or most comforting place, but I have blood memory there, my core was formed there, so I need to go back often, or else I become empty, lost, without meaning.
I inhabited a territory of loneliness which resembles the place where the dying spend their time before death, and from where those who do return, living, to the world bring, inevitably, a unique point of view that is a nightmare, a treasure, and a lifelong possession.[It is] equal in its rapture and chilling exposure [to] the neighbourhood of the ancient gods and goddesses.
I wonder if I love the communal act of eating so much because throughout my childhood, with four older brothers and a mom who worked in the restaurant business, I spent a lot of time fending for myself, eating alone - and recognizing how eating together made all the difference.
When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
I do have a personal life. I spend half of the week at home. One of those nights, I'll go out with some friends and have a good time. I have a day and a half at home, and love to just sit on my backyard by my pool, read a book, or do some writing. That's my vacation.
People never hurt others in moments of personal strength and bravery, when they are feeling good about themselves, when they are strong and confident. If we spent all of our waking moments in that place, then fighting for social justice would be redundant; we would simply have social justice and be done with it, and we could all go swimming, or fishing, or bowling, or dancing, or whatever people do. But it is because we spend so much of our time in that other place, that place of diminished capacity, of flagging energy, or wavering and somewhat flaccid commitment, that we have to be careful.
If you go out in the country, spend a lot of time on decaying farms, and you see a lot of crumbling tobacco farms, and wandering the woods, there's something beneath the surface; there's something older... more sinister.
As I've gotten older and I've watched people in productions, I go to the theater when I go back to London and see friends in Broadway, I think maybe there might come a time here to get back up there and prove oneself. It's just an itch; it's a nagging itch to go back there.
I always thought that I would spend the first half of my life making money so I can spend the second half of my life giving it all away. And one of the defining moments of my life was when I realized that I could do both at the same time with TOMS.
I spent so much of my life shut down from the abuse of my childhood. I didn't have friends and I didn't have connections with people.
I translate Hawaii as a place where people make sure I'm having a great time, eating terrific food, without any expectation of anything in return. It's a place for people to be happy. It sounds corny, but in Hawaii, it's not; it's uncorny.
I spent a lot of time on farms when I was growing up, and I've been obsessed with the practical logic of farmyards - the turning radius of tractors, where the chickens and ducks might go. It's not a place where stand-alone aesthetic decisions make a lot of sense.
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