A Quote by Nawazuddin Siddiqui

If one line about the film excites me, I try to take it forward. — © Nawazuddin Siddiqui
If one line about the film excites me, I try to take it forward.
The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.
I've been joking that if Madonna taught us anything, you've got to reinvent yourself. I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances. I've tried to take a chance with every film I've done - I've never done it the easy way, and I think that's because that's what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
Entrepreneursh ip is not about getting one over on the customer. It’s not about working on your own. It’s not about looking out for number one. It’s not necessarily about making a lot of money. It is absolutely not about letting work take over your life. On the contrary, it’s about turning what excites you in life into capital, so that you can do more of it and move forward with it.
The literary aspect of the film business excites me, but show business in general doesn't take any mental giant.
I try not to read all reviews, but its just that after a point there is nothing much that you can do about it. You can learn and take forward things and use it in your next film. As long as reviews translate into bums on the seat, I think there isn't much I can do.
I just try and decide what I'm interested in and what excites me. I don't worry about how it's going to be perceived.
Sitting in the back row of a full audience watching one of my movies, and hearing them cry and hearing them laugh in the right moments, particularly when they laugh at a line I've stolen from one of my family members and put in the film. That excites me a great deal.
Entrepreneurship is about turning what excites you in life into capital, so that you can do more of it and move forward with it.
Bryan [Iguchi] had this beautiful philosophy about our connection with these incredible cycles. There's a line from one of his poems that always stays with me about 'This process we follow; this cycle we ride' and it's almost become a strap line for the film.
Whether it's a double take or a spit take or an extra-long pause before a reaction or a line, I try to be as cognizant as possible about the technical end of it. So I think the physical stuff works easier for me than maybe for others who are more just going on instinct.
I can do a film only if it excites me as an actor.
Film line is all about chance. I don't think much, I just like to take chances.
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
Yes, I am extremely choosy. You decide whether to do a film or not only after you meet and talk to the film-maker. Only someone who thinks out of the box excites me.
I could even do an Oriya film if the role excites me.
There are offers, but I would sign the dotted line only when a project excites me enough to spare time for it.
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